Yale Center for British Art
- Existence: 1977
Found in 36 Collections and/or Records:
The collection comprises correspondence and ephemera related to contemporary bookbinding, collected by Neale Albert. Includes material related to the binders Susan Allix, George Kirkpatrick, and Ann Muir. Also present is material related to exhibitions at the John Rylands Library (2012) and the Yale Center for British Art (2016).
This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.
Collection material pertains to correspondence, exhibition catalogs, art-related publications, brochures, and loose-leaf notebooks of art reproductions that document the life and career of John Baskett, art dealer and close friend of Paul Mellon.
This collection comprises two audio cassette tape recordings, as well as their digitized versions, of an interview of Jules David Prown by Alessandra Latour, held in New Haven, Connecticut on June 23, 1982. In the interview, Prown discusses architect Louis I. Kahn and his work.
This collection consists of the transcript of an interview with Jules Prown by Karen E. Denavit and accompanying color photographs. The interview was conducted at the Yale Center for British art between March 1 and June 26, 2013. In it, Prown discusses his family, education, and time as Director of the Center. Prown edited the interview and wrote a brief introduction, which is included in this manuscript.
The project includes a paper transcript and recordings of the Jules David Prown Oral History Project. For the project, information analyst Karen E. Denavit interviewed Prown about his family, professional life, and travels. Particular attention is paid to Prown's interactions with Paul Mellon in the years 1968-1977, while the Yale Center for British Art's building and design were being decided.
The papers include documentation for many of Richard Kelly's projects, including layouts and detailed working drawings, details of lighting fixtures, correspondence and architectural design drawings, and financial records. They also include correspondence with various institutions including universities and technical societies.
This collection consists of thirteen watercolors showing different scenes at the Yale Center for British Art, including views of the building's exterior and of sculptures inside it.
Yale University Art Gallery and the Yale Center for British Art, recordings of lectures and presentations
The records consist of audio and video recordings of lectures, presentations and symposia held at the Yale Art Gallery and the Yale Center for British Art.
This collection consists of the Advancement and External Affairs department records from 1966 to 2015. A major component is related to exhibitions held at the Center; this includes flyer designs, invitations, videos, brochures, press clippings, bookmarks, rack cards, visitor reports, and photographs. There are also records related to Friends of British Art. Public relations documentation accounts for much of the collection.
This collection consists of the Yale Center for British Art annual reports from 1972-2016.
This collection consists of material related to the construction and maintenance of the Yale Center for British Art. It includes correspondence, publications, architectural sketches, mechanical specification notebooks, photographs, and slides.
This collection contains collection condition surveys that have been entered into TMS.
This collection consists of administrative files, promotional materials, press releases, and records of Yale Center for British Art exhibitions. This collection also contains media, mostly videos and photographs, created by the Communications Department from 1995 to the present.