Camus, Albert, 1913-1960

Abstract: The Nicola Chiaromonte Papers consist of correspondence, manuscripts, clippings and notebooks documenting the professional life of Chiaromonte. Prominent correspondents include Lionel Abel, Giorgio Agamben, Andrea Caffi, Albert Camus, Mary McCarthy, Dwight MacDonald, Gaetano Salvemini, and Ignzaio Silone. Series II contains typescripts, notes and clippings of many articles by Chiaromonte, including several concerning the Spanish Civil War, as well as three boxes of his theater reviews. There...

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The Eleanor Clark Papers consists of writings, correspondence, and other materials documenting the life and work of the writer Eleanor Clark.

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Typescript, carbon, corrected.

Abstract: The papers consist of correspondence, speeches, writings, and other papers, (including research and teaching materials, photographs, memorabilia, newspaper and periodical clippings, books, and radio and television tapes) of Max Lerner, an American educator, author, lecturer, historian, and political scientist. The papers focus on Lerner's public life and career with very little material on his personal or family life. The papers document Lerner's close association with Justice Felix...

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Typescript draft of essay first published in 1943, corrected, annotated, and signed. With pencil annotations in unidentified hand, possibly in hand of Marc Barbezat.

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Manuscript draft of an open letter, corrected, responding to an editorial by Albert Camus in the Combat newspaper issue of 1944 December 13 on French banking and industrial production during World War II.

In French.

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TLS, with envelope, replying to questions about his political affiliations and his texts "La Chute" and "L'Esprit confus."

In French.

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Holograph manuscript, corrected, on the death penalty. Accompanied by typescript copy, also corrected.

In French.

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The collection consists of writings, correspondence, project files, teaching materials, journals, photographs, printed material, personal papers, and audiovisual and computer media documenting the life and career of French-Tunisian author, critic, and philosopher Albert Memmi.

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Four successive drafts, holograph, corrected, of concluding section of the essay "Retour à Tipasa," first published in L'Été (Gallimard, 1954). Inscribed: "pour vous, chère Nathalie, ces brouillons d'une rêverie de votre vieil ami."

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Consists of letters to Peyre chiefly from French authors, plus one letter from Peyre to Donald Wing enclosing a typescript of Paul Claudel's "Partage de midi," which Peyre had made from the play at the Bibliotheque Nationale.