Scope and Contents
The Max Ewing Papers consist of correspondence, writings, sheet music, photographic prints and negatives, photograph albums, scrapbooks, diaries, sound recordings, writings of others, notebooks, printed material, personal papers, and a sculpture. Correspondence includes letters from Ewing to his parents, general correspondence with friends and family, and third party correspondence regarding Ewing. Writings contain autograph manuscript and typescript drafts and printed versions of short stories, poems, essays, and other writings, including typescript drafts, corrected, of Ewing's novel, Going Somewhere. Sheet music contains printed and manuscript music by Ewing. Photographs in the collection are from Ewing's "Gallery of Extraordinary Portraits," "Carnival of Venice," Les amants de Venice," and subjects include Ewing's family and friends. The scrapbooks were made and kept by Ewing and contain reproductions of photographs of notable artists and celebrities; articles by or on Ewing, concerning his professional life as a music editor, musician, photographer, and writer; and reviews of Going Somewhere. Sound recordings are two aluminum instantaneous phonodiscs, "Speak-O-Phone personal phonographs," made by Max Ewing with Berenice Abbott and Doris Ewing. Other papers include Ewing's parents' marriage certificate, diaries, notebooks, legal documents, lists of books read by Ewing, printed material, writings on Ewing by others, and an unidentified head sculpted in clay.
All material was a gift of Doris Ewing, 1943, unless otherwise noted.
All material was a gift of Doris Ewing, 1943, unless otherwise noted.
Dates
- 1887 - 2003
- Majority of material found within 1910 - 1934
Creator
Conditions Governing Access
The materials are open for research.
Box 34 (nitrate photographic negatives): Restricted fragile material. Some corresponding prints are available in Box 20. Consult Access Services for further information.
Box 35 (sound recordings): Restricted fragile material. Reference copies may be requested. Consult Access Services for further information.
Box 36 (clay bust): Restricted fragile material. Consult Access Services for further information.
Box 34 (nitrate photographic negatives): Restricted fragile material. Some corresponding prints are available in Box 20. Consult Access Services for further information.
Box 35 (sound recordings): Restricted fragile material. Reference copies may be requested. Consult Access Services for further information.
Box 36 (clay bust): Restricted fragile material. Consult Access Services for further information.
Conditions Governing Use
The Max Ewing Collection is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.
Immediate Source of Acquisition
Gift of Doris Ewing (Max Ewing's cousin), Lawrence H. and Roberta Conrad, Alice de la Mar, Mark Lutz, and Carl Van Vechten, 1943. Gift of Doris Ewing and Mildred Henry, 1944. Gift of William John McAfee III, 1950. Gift of Wallace K. Ewing, 1998 and 2003.
Arrangement
Organized into six series: I. Correspondence, 1887-1946. II. Writings, 1927-1933. III. Gallery of Extraordinary Portraits, 1928. IV. Photographs, 1887-1924. V. Scrapbooks, 1922-1923. VI. Other Papers, 1901-2003.
Extent
11.45 Linear Feet (36 boxes)
Language of Materials
English
Catalog Record
A record for this collection is available in Orbis, the Yale University Library catalog
Persistent URL
Overview
The Max Ewing Papers consist of correspondence, writings, sheet music, photographic prints and negatives, photograph albums, scrapbooks, diaries, sound recordings, writings of others, notebooks, printed material, personal papers, and a sculpture. Correspondence includes letters from Ewing to his parents, general correspondence with friends and family, and third party correspondence regarding Ewing. Writings contain autograph manuscript and typescript drafts and printed versions of short stories, poems, essays, and other writings, including typescript drafts, corrected, of Ewing's novel, Going Somewhere. Sheet music contains printed and manuscript music by Ewing. Photographs in the collection are from Ewing's "Gallery of Extraordinary Portraits," "Carnival of Venice," Les amants de Venice" and subjects include Ewing's family and friends. The scrapbooks were made and kept by Ewing and contain reproductions of photographs of notable artists and celebrities; articles by or on Ewing, concerning his professional life as a music editor, musician, photographer, and writer; and reviews of Going Somewhere. Sound recordings are two aluminum instantaneous phonodiscs, "Speak-O-Phone personal phonographs," made by Max Ewing with Berenice Abbott and Doris Ewing. Other papers include Ewing's parents' marriage certificate, diaries, notebooks, legal documents, lists of books read by Ewing, printed material, writings on Ewing by others, and an unidentified head sculpted in clay.
Max Ewing (1903-1934)
Max Ewing, American photographer, novelist, composer, pianist, and sculptor. Ewing was born in Pioneer, Ohio on April 7, 1903 to John Caleb and Clara Barto Ewing, to whom he remained close throughout his life. He started playing piano at an early age. He attended the University of Michigan, where he also served as the music critic for the Ann Arbor Time-News before becoming music editor of the Sunday Magazine, a controversial publication associated with the University of Michigan Daily. Ewing moved to New York City in 1924, where he studied piano under Alexander Siloti for three years before moving to Paris to study with Marcelle Meyer. He enjoyed a successful career as a professional pianist until 1927, when he turned his attention to composition of light musical theater, writing fiction, creating sculptures, and especially photography. He published his only novel, Going Somewhere (Alfred Knopf) in 1933. It received positive reviews but did not gain him a reputation as a successful novelist.
Ewing is best known for his photography, especially the photograph collection "Carnival in Venice" and his 1928 exhibition "Gallery of Extraordinary Portraits." "Carnival of Venice" is a series of photographs of friends posed individually and together against a backdrop depicting a scene from Venice, Italy. Individuals include Muriel Draper, e.e. cummings, Paul Robeson, Berenice Abbott, George Platt Lynes, Lloyd Wescott, Dorothy Crawford, Paul Meeres, Max Ewing, Lincoln Kirstein, and Dorothy Sheldon. The collection received praise from his friends and was shown at the Waldorf-Astoria. For his "Gallery of Extraordinary Portraits," Ewing converted the walk-in closet of his Manhattan studio apartment into a semi-public portrait gallery. He covered the walls with original photographs and reproductions of images of friends and celebrities, representing New York's interracial, gay and lesbian, and artistic circles. This exhibition gained him attention and was re-installed in other New York galleries.
Ewing's nearest friends included Carl Van Vechten, who introduced him to many of the people that appear in Ewing's photographs, Muriel Draper, and the boxer Jack Pollock. He suffered from depression throughout his life and required attention from those that were closest to him. He maintained a consistent correspondence with his parents from a young age until their deaths, writing to them weekly. His father died in 1932 and his mother in 1934. Ewing spent the last few months of his life in Pioneer, Ohio before he committed suicide on June 18, 1934, by drowning himself in the Susquehanna River in Binghamton, New York.
Ewing is best known for his photography, especially the photograph collection "Carnival in Venice" and his 1928 exhibition "Gallery of Extraordinary Portraits." "Carnival of Venice" is a series of photographs of friends posed individually and together against a backdrop depicting a scene from Venice, Italy. Individuals include Muriel Draper, e.e. cummings, Paul Robeson, Berenice Abbott, George Platt Lynes, Lloyd Wescott, Dorothy Crawford, Paul Meeres, Max Ewing, Lincoln Kirstein, and Dorothy Sheldon. The collection received praise from his friends and was shown at the Waldorf-Astoria. For his "Gallery of Extraordinary Portraits," Ewing converted the walk-in closet of his Manhattan studio apartment into a semi-public portrait gallery. He covered the walls with original photographs and reproductions of images of friends and celebrities, representing New York's interracial, gay and lesbian, and artistic circles. This exhibition gained him attention and was re-installed in other New York galleries.
Ewing's nearest friends included Carl Van Vechten, who introduced him to many of the people that appear in Ewing's photographs, Muriel Draper, and the boxer Jack Pollock. He suffered from depression throughout his life and required attention from those that were closest to him. He maintained a consistent correspondence with his parents from a young age until their deaths, writing to them weekly. His father died in 1932 and his mother in 1934. Ewing spent the last few months of his life in Pioneer, Ohio before he committed suicide on June 18, 1934, by drowning himself in the Susquehanna River in Binghamton, New York.
Processing Information
The Max Ewing Collection contains all of the Max Ewing material that was formerly known as Za Ewing, Za Van Vechten, Uncat ZA MS 545, Za Ew+55 1-4, and Za Ew55 +1.
One box of writings and correspondence, labeled "Max Ewing Manuscripts" was removed from the Carl Van Vechten Papers (Za Van Vechten) and the material is now part of the Max Ewing Papers. This material was part of Van Vechten's 1944 gift of Ewing material. Some material from this acquisition might remain in the Carl Van Vechten Papers and be discovered when further processing of the Van Vechten papers occurs.
The following material was not found during processing in 2013:
Gift of Carl Van Vechten, 1944 (likely to be found in the Carl Van Vechten Papers): "Catalogue of photographs owned by Max Ewing," typescript draft; "Decadency In a Scristan," autograph manuscript; "Elysium in Hell," autograph manuscript; "Grimalkin In an Aperture," autograph manuscript; "James Caleb Ewing," typescript draft; "The Kalsinjammers," autograph manuscript; "Me an' Puppo," autograph manuscript; "Midwinter," autograph manuscript; "Queen in Nictitation," typescript draft; "Shakespeare: Dialogue for a play containing various Shakespearian characters," autograph manuscript; "Toodles and Old Puppo's Fight," autograph manuscript; "Topaz in a Trance," typescript draft; "Unicorn in Grammercy Park," typescript draft; "Vaudeville in the High Place," typescript draft; "Wanderings in a Phantasy," typescript draft; "Where Nature Charms," [by Theo Ferris?] autograph manuscript; "With Erato," autograph manuscript; "Xanadunian in Bas Relief," typescript draft; "The Agamnon of Aeschylus," by Marion Wier annotated by Max Ewing.
Gift of Mildred Henry: a poem about Carl Van Vechten and seven pencil drawings by Max Ewing.
One box of writings and correspondence, labeled "Max Ewing Manuscripts" was removed from the Carl Van Vechten Papers (Za Van Vechten) and the material is now part of the Max Ewing Papers. This material was part of Van Vechten's 1944 gift of Ewing material. Some material from this acquisition might remain in the Carl Van Vechten Papers and be discovered when further processing of the Van Vechten papers occurs.
The following material was not found during processing in 2013:
Gift of Carl Van Vechten, 1944 (likely to be found in the Carl Van Vechten Papers): "Catalogue of photographs owned by Max Ewing," typescript draft; "Decadency In a Scristan," autograph manuscript; "Elysium in Hell," autograph manuscript; "Grimalkin In an Aperture," autograph manuscript; "James Caleb Ewing," typescript draft; "The Kalsinjammers," autograph manuscript; "Me an' Puppo," autograph manuscript; "Midwinter," autograph manuscript; "Queen in Nictitation," typescript draft; "Shakespeare: Dialogue for a play containing various Shakespearian characters," autograph manuscript; "Toodles and Old Puppo's Fight," autograph manuscript; "Topaz in a Trance," typescript draft; "Unicorn in Grammercy Park," typescript draft; "Vaudeville in the High Place," typescript draft; "Wanderings in a Phantasy," typescript draft; "Where Nature Charms," [by Theo Ferris?] autograph manuscript; "With Erato," autograph manuscript; "Xanadunian in Bas Relief," typescript draft; "The Agamnon of Aeschylus," by Marion Wier annotated by Max Ewing.
Gift of Mildred Henry: a poem about Carl Van Vechten and seven pencil drawings by Max Ewing.
- Abbott, Berenice, 1898-1991
- American literature -- 20th Century
- Audiovisual materials
- Authors -- United States -- 20th Century
- Authors, American -- 20th Century -- Archives
- Composers -- United States
- Composers -- United States -- 20th Century
- Conrad, Lawrence H. (Lawrence Henry), 1898-
- Diaries
- Draper, Muriel, 1886-1952
- Ewing, Clara Barto
- Ewing, Doris
- Ewing, John Caleb
- Ewing, Max
- Ewing, Wallace K.
- Exhibition catalogs
- Gay men -- United States -- Portraits
- Gays -- United States
- LGBTQ resource
- Negatives
- Novelists -- United States -- 20th Century
- Novelists, American -- 20th Century
- Photograph albums
- Photographers -- United States
- Photographers -- United States -- 20th Century
- Photographic prints
- Pianists -- United States
- Pianists -- United States -- 20th Century
- Pollock, Jack
- Portrait photography -- United States
- Scrapbooks
- Sculptors -- United States
- Sculptors -- United States -- 20th Century
- Sculpture (visual work)
- Sheet music covers
- Songs with piano
- Sound recordings
- Studio portraits
- Theater programs
- Van Vechten, Carl, 1880-1964
Creator
- Title
- Guide to the Max Ewing Collection
- Author
- by Molly Wheeler
- Date
- 2007-05-16
- Description rules
- Describing Archives: A Content Standard
- Language of description note
- Finding aid written in English.
Part of the Beinecke Rare Book and Manuscript Library Repository
Location
121 Wall Street
New Haven, CT 06511
Opening Hours
Access Information
The Beinecke Library is open to all Yale University students and faculty, and visiting researchers whose work requires use of its special collections. You will need to bring appropriate photo ID the first time you register. Beinecke is a non-circulating, closed stack library. Paging is done by library staff during business hours. You can request collection material online at least two business days in advance of your visit, using the request links in Archives at Yale. For more information, please see Planning Your Research Visit and consult the Reading Room Policies prior to visiting the library.