Edward Gordon Craig collection

Edward Gordon Craig was born in England on 16 January 1872, the son of the actress Ellen Terry and the architect E. W. (Edward William) Godwin. In 1878, at the age of six, he made his first stage appearance in a production of Olivia, by W. G. Wills. He studied at Southfield Park and Bradfield College, and was a member of Henry Irving's theater company at the Lyceum Theatre in London beginning in 1889.

In 1893, Craig married May Gibson, and moved from London to Uxbridge. Under the influence of the artists James Ferrier Pryde and William Nicholson, he learned the art of wood-engraving, and began his career as a graphic designer. In 1893 he directed and designed his first stage production: Alfred de Musset's On ne badine pas avec l'amour. Around this time he also published a magazine, The Page, consisting mostly of his own engravings, and in 1899 published a book of woodcuts with accompanying verses entitled Gordon Craig's Book of Penny Toys.

Craig's career as a stage designer continued to evolve as he collaborated with Martin Shaw in 1901 and 1902 productions of Dido and Aeneas, The Mask of Love and other plays. In 1904 Craig traveled to Berlin to work with the Lessing Theatre, and in 1905 he published his most famous essay, The Art of the Theatre, which was later expanded and republished as On the Art of the Theatre. In Germany he met the dancer Isadora Duncan, with whom he had a brief but intense affair, ending in 1906. Duncan persuaded the theater producer Konstantin Stanislavsky to invite Craig to Moscow, and there he designed an important 1912 production of Hamlet. In 1913, Craig fulfilled a longtime dream by founding his School for the Art of the Theatre in the Arena Goldoni in Florence; however, it closed shortly thereafter at the outbreak of World War I.

Over his long career Craig became known as an important innovator in theater design, popularizing a modern, minimalist style in contrast to the more extravagant style of his mother's age, and his writings, artwork and design had an enormous impact on twentieth-century theater. His publications include the theatrical periodical The Mask (1908-1929), and the books Books and Theatres (1925), Ellen Terry and Her Secret Self (1931), Nothing, or, the Bookplate (1924), The Theatre - Advancing (1919) and his autobiography, Index to the Story of My Days (1957). He spent the last years of his life in the south of France, and died there in 1966.