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Mary Ellen Bute Papers

 Collection
Call Number: GEN MSS 603
Scope and Contents
The papers document the filmmaking career of Mary Ellen Bute and include papers from Expanding Cinema Studios and Ted Nemeth Studios. The collection contains scripts, notes, correspondence, photographs of film productions and of Mary Ellen Bute, and printed material related to the production of many of Bute's films including "Out of the Cradle Endlessly Rocking," "Passages from James Joyce's Finnegan's Wake," and "Skin of Our Teeth." Printed material includes newspaper clippings of reviews and background information, files of images which presumably served as inspiration for images in Bute's films, and other ephemera such as brochures and programs.

The papers span the entirety of Bute's career, though the bulk of them document her later film productions. Since she was unable to complete or release some of these (e.g. "Out of the Cradle Endlessly Rocking") the papers are a unique resource on Bute's work to realize her vision of the films. The papers also provide personal and professional context to Bute's career through her correspondence and personal papers.

The papers also document Bute's research, writing and lectures on the topics of film making and animation and her work to support female film makers through forums such as the Women's Independent Film Exchange.

Material from Bute's early abstract films is mostly related to their distribution and promotion. Papers from later live action films include correspondence, scripts and research material in addition to material related to funding, distribution and promotion. Papers from "Skin of Our Teeth" include correspondence with and notes from Thornton Wilder about the adaptation of his play.

In addition to papers related to Bute's film productions, the collection includes papers from Ted Nemeth Studios. These papers document Nemeth's commercial productions for corporations such as Schlitz, his film "Mobilcolor" (about Charles Dockum, the creator of Mobilcolor projectors) and his work to distribute Bute's films.

The collection also contains personal papers that include family correspondence, photographs and financial and medical records.
Conditions Governing Access
The materials are open for research.

Boxes 26 and 35 (audiocassettes): Restricted fragile. Reference copies may be requested. Consult Access Services for further information.

Box 35: Restricted fragile material. Reference surrogates have been substituted in the main files. For further information consult the appropriate curator.
Conditions Governing Use
The Mary Ellen Bute Papers is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.
Immediate Source of Acquisition
Gift of Terry Halladay (1991) and transfer from the Yale Film Study Center (1999, 2007, 2008).
Arrangement
Organized into five series and one addition: I. Film Production Material, 1935-1982. II. Business Papers, 1941-1983. III. Personal Papers, 1907-1984. IV. Ted Nemeth Studios Papers, 1939-1985. V. Printed Material, 1936-1985. June 2008 Addition, 1908-1983. The papers are largely organized according to their function, with correspondence, scripts and other documentation filed in different series or under the title of the production as appropriate.
Associated Materials
Related film has been retained by the Yale Film Study Center.
Dates
1907 - 1985
Extent
14.85 Linear Feet (36 boxes, including 1 Oversize box)
Related Names
Bute, Mary Ellen
Language of Materials
English