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Press of the Woolly Whale records

 Collection
Call Number: GEN MSS 932

Scope and Contents

The records primarily consist of correspondence and production files related to work created at the Press of the Woolly Whale, including original and carbon typescripts, corrected page proofs and galleys, paper samples, title page and endpaper designs, dummies, notes, and receipts. Some of the production files hold original artwork for illustrations; also present are four photoengravings used to print endpapers for Melbert B. Cary's two-volume work Mademoiselle from Armentieres. In addition, the records contain the press's archival set of Woolly Whale publications including ephemeral items such as prospectuses, invitations, broadsides, holiday cards, mailing labels, and certificates, as well as four chronologically arranged scrapbooks created by Cary to hold samples of small ephemera, reviews of the press's work, and other related clippings. Many of the Woolly Whale publications were produced as holiday, anniversary, and birthday greetings, and tributes to respected colleagues, particularly Frederic W. Goudy. A military veteran, Cary issued annual tributes to Armistice Day beginning in 1928 ranging in format from a simple broadside to a set of playing cards, The Devil's Bible.

For his productions Cary employed favorite artists such as Alban B. Butler, Warren Chappell, W. A. Dwiggins, Willi Harwerth, Fritz Kredel, and Philip G. Reed, and authors including Richard Le Gallienne; several of the volumes in the press copies set have bespoke bindings by prominent hand binders Katharine Adams, Douglas Cockerell & Son, Peter Franck, Otto Fratzscher, and Gerhard Gerlach. Other correspondents in the collection include Paul and Rudolf Koch, Robert Winslow Gordon, and firms such as Gebrüder Klingspor.

Dates

  • 1893 - 1968
  • Majority of material found within 1928 - 1941

Creator

Language of Materials

In English and German.

Conditions Governing Access

The materials are open for research.

Box 58: Restricted fragile material. For further information consult the appropriate curator.

Conditions Governing Use

The Press of the Woolly Whale Records is the physical property of the Beinecke Rare Book and Manuscript Library, Yale University. Literary rights, including copyright, belong to the authors or their legal heirs and assigns. For further information, consult the appropriate curator.

Immediate Source of Acquisition

Gift of the Mary Flagler Cary Charitable Trust, 1969.

Arrangement

Organized into three series: I. Correspondence and Papers, 1893-1968. II. Scrapbooks, 1928-1942. III. Production Files, 1928-1942. IV. Press of the Woolly Whale Publications, 1928-1942.

Associated Materials

The Melbert B. Cary Graphic Arts Collection at Rochester Institute of Technology holds additional Press of the Woolly Whale records including production files (CSC 023) and the press's visitor register (CSC 022).

Extent

19.4 Linear Feet ((53 boxes) + 5 broadside folders)

Catalog Record

A record for this collection is available in Orbis, the Yale University Library catalog

Persistent URL

https://hdl.handle.net/10079/fa/beinecke.woolly

Abstract

The collection primarily consists of correspondence and production files related to publications issued by the Press of the Woolly Whale, including original and carbon typescripts, corrected page proofs and galleys, paper samples, title page and endpaper designs, dummies, notes, and receipts. Some of the production files hold original artwork for illustrations; also present are four photoengravings used to print endpapers for Melbert B. Cary's two-volume work Mademoiselle from Armentieres. In addition, the records contain the press's archival set of Woolly Whale publications including ephemeral items such as prospectuses, invitations, broadsides, holiday cards, mailing labels, and certificates, as well as four chronologically arranged scrapbooks created by Cary to hold samples of ephemera, reviews of the press's work, and other clippings. For his productions Cary employed favorite artists such as Alban B. Butler, Warren Chappell, W. A. Dwiggins, Willi Harweth, Fritz Kredel, and Philip G. Reed, and authors including Richard Le Gallienne; several of the volumes in the press copies set have bespoke bindings by prominent hand binders Katharine Adams, Douglas Cockerell & Son, Peter Franck, Otto Fratzscher, and Gerhard Gerlach. Other correspondents in the collection include Paul and Rudolf Koch, Robert Winslow Gordon, and firms such as Gebrüder Klingspor.

Press of the Woolly Whale

The Press of the Woolly Whale was in operation in New York City from 1928 to 1942, during which time it produced private and limited edition volumes, publications related to printing and typographic arts, and a wide variety of ephemera that reflected the interests, professional relationships, and personal humor of Melbert Brinkerhoff Cary Jr., his wife Mary Flagler Cary, and their friends. While Cary directed the press's efforts, he employed George W. Van Vechten Jr. for typesetting and press work. Two exhibitions profiled the press's achievements (Grosvenor Library, Buffalo, New York, in 1939, and Rochester Institute of Technology in 1972); the catalogs from those exhibitions contained bibliographies which were superseded by David Pankow's checklist in Melbert B. Cary, Jr. and the Press of the Woolly Whale (Rochester: Cary Graphic Arts Press, Rochester Institute of Technology, 2002).

Melbert B. Cary Jr. and Mary Flagler Cary

Melbert Brinkerhoff Cary Jr. (1892-1941), a New York businessman and prominent figure in the fields of typography and private printing during the second quarter of the twentieth century, was born in New York, the son of Melbert and Julia Metcalf Cary. Educated at the Groton School and Yale University (Class of 1916), he served in France with the American Expeditionary Forces during World War I. Cary was the director of the Continental Typefounders Association, Inc., which he organized in New York City in 1925 to import from Europe the best new designs in type, initials, borders, and ornaments being developed by foundries on the continent, but cast to American type height and using the American point system so that designers and printers in the United States could use fresh and modern faces for commercial advertising.

In 1923 Cary married Mary Harkness Flagler (1901-1967), the daughter of Anne Lamont and Harry Harkness Flagler, and the granddaughter of Henry Morrison Flagler, one of the founders of the Standard Oil Company. She was raised in New York City and in Millbrook, New York, where the Carys continued to maintain homes after their marriage. Melbert Cary Jr. served as president of the American Institute of Graphic Arts, was proprietor of the private Press of the Woolly Whale, and a collector of printer's manuals and type specimens, great books of the printer's art, and rare playing cards; he acquired the Kelmscott/Goudy Press (Albion No. 6551) on which William Morris had printed The Works of Geoffrey Chaucer (1896), from Frederic W. Goudy in 1932. Mary Flagler Cary was the president of the National Orchestral Association and a collector of rare manuscript music.

George W. Van Vechten Jr.

George W. Van Vechten Jr., American printer, typographer, and book designer, was born in New Brunswick, New Jersey, attended Carnegie Institute of Technology, and died in Metuchen, New Jersey, in 1962, at age 55. He produced private and limited edition works for thirty-five years with Frederic W. Goudy at the Village Press, with Melbert B. Cary Jr. at the Press of the Woolly Whale, and from 1941 to 1962 at his own Van Vechten Press in Metuchen. Van Vechten inherited the Kelmscott/Goudy Press (Albion No. 6551) upon Cary's death in 1941.

Processing Information

Former call number: Uncat MS Vault Woolly

Title
Guide to the Press of the Woolly Whale Records
Author
by Sandra Markham
Date
2007-05-15
Description rules
Describing Archives: A Content Standard
Language of description note
Finding aid written in English.

Part of the Beinecke Rare Book and Manuscript Library Repository

Contact:
P. O. Box 208330
New Haven CT 06520-8330 US
(203) 432-2977

Location

121 Wall Street
New Haven, CT 06511

Opening Hours

Access Information

The Beinecke Library is open to all Yale University students and faculty, and visiting researchers whose work requires use of its special collections. You will need to bring appropriate photo ID the first time you register. Beinecke is a non-circulating, closed stack library. Paging is done by library staff during business hours. You can request collection material online at least two business days in advance of your visit, using the request links in Archives at Yale. For more information, please see Planning Your Research Visit and consult the Reading Room Policies prior to visiting the library.