Gwendolyn Bennett Papers
Scope and Contents
Correspondents include Langston Hughes, who accompanied his letters with four poems inscribed to Bennett: “Hotel Boy” (1926), “Stalingrad” (1942), “Goodmorning, Stalingrad” (1943), and “Give Us Our Peace” (1945). Correspondence between Bennett and her father Joshua Bennett, mother Mayme Abernathy Pizarro, and stepmother Marechal Neil Bennett, in particular, provide insight into Bennett’s life and work.
Evidence of Bennett’s writing career, including mock-ups for her column for Opportunity, "The Ebony Flute," and drafts of articles and a short story, can be found in the papers.
The papers also contain personal papers, including bills, receipts, a book of Psalms, and notes that provide further insight into Bennett’s personal life.
- 1918 - 1976
Conditions Governing Access
Conditions Governing Use
Immediate Source of Acquisition
0.63 Linear Feet (2 boxes)
Language of Materials
Gwendolyn Bennett (1902-1981)
Bennett attended Brooklyn's Girls' High (1918-1921) and then studied fine art at Columbia University (1921) and the Pratt Institute, where she graduated with a degree in fine arts in 1924. While still an undergraduate, Bennett published poetry in Crisis (November 1923) and Opportunity (December 1923), and also created cover art for the former (December 1923 and March 1924).
Upon graduation Bennett taught fine art at Howard University before moving to Paris where she lived from June 1925 to September 1926 and studied art at the Académies de la Grande Chaumière, Julian, and Colarossi, and at the École du Panthéon. Bennett also studied art at the Barnes Foundation in Merion, Pennsylvania, for which she received a scholarship (1928).
Bennett published poetry in Opportunity, Crisis, Palms, and Gypsy and contributed to anthologies, including Caroling Dusk (1927) edited by Countée Cullen and The Book of American Negro Poetry (1931) edited by James Weldon Johnson. Bennett also wrote a column for Opportunity, "The Ebony Flute" (1926-1928), and served as editor for Black Opals (1927).
Throughout her career Bennett balanced administrative and teaching positions with her artistic life. She taught at the Tennessee Agricultural and Industrial State College and the Federal Art Teaching Project, worked for the Department of Information and Education of the Welfare Council of New York, served as the director of the Harlem Community Art Center, and as a correspondent for the Consumers Union. Bennett married Alfred Jackson, a doctor, in 1928 and they remained married until Jackson’s death in 1936. They lived in Eustis, Florida, and Hempstead, New York. In 1941 Bennett married Richard Crosscup, a teacher.
Bennett died of congestive heart failure on May 30, 1981.
- African American authors -- 20th Century -- Archives
- American literature -- 20th century
- Authors -- United States -- 20th Century
- Authors, American -- 20th Century -- Archives
- Bennett, Gwendolyn, 1902-1981
- Harlem Renaissance
- Hughes, Langston, 1902-1967
- Poets -- United States -- 20th Century
- Poets, American -- 20th Century -- Archives
- Women authors -- 20th Century -- Archives
- Guide to the Gwendolyn Bennett Papers
- Under Revision
- by H. Dean
- December 2013
- Description rules
- Describing Archives: A Content Standard
- Language of description note
- Finding aid written in English.
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