Showing Collections: 1–20 of 30

Abstract: Collection includes correspondence between Victor Gifford Audubon and Daniel Rice, a book subscription agent, regarding the production and sale of the works of John James Audubon. Also included are 22 uncolored, 8 partially tinted and 2 hand-colored lithographed plates for the octavo edition of "The Birds of North America," all by John T. Bowen after Audubon; 3 additional hand-colored plates, also by Bowen after Audubon, which may have served as colorist's proofs or models; and a group of 19...

Abstract: A collection of one hundred drawings by the self-taught African American artist Mary A. Bell, featuring glamorously dressed and accessorized women and men engaged in courtship activities, or women centered in domestic or garden settings. Many of the images have religious iconography as well as animals, birds, plants, and children, with houses or other buildings placed distantly in the background. The drawings range in size from 78 x 52 to 51 x 39 cm. and were executed in crayon, colored...

Abstract:

The John Sawyer Brooks Papers contain correspondence, scrapbooks, photographs and drawings, and other papers, most relating to missionaries and mission administration at the Mendi Mission in Sierra Leone, 1851-1859. Also present are papers relating to the Mount Pleasant Mission in Peel Township, Ontario, 1846-1855, and to the Brooks family, 1850s-circa 2000.

Abstract: The Robert Browning and Elizabeth Barrett Browning collection is a mixed-provenance collection of material by and related to Robert Browning and Elizabeth Barrett Browning. Series I, Robert Browning Papers, contains a few manuscripts by him, as well as many letters, most written after 1870. Recipients include Mrs. Bayne; Isabel Jane Blagden; Moncure Conway; Charles Deschamps; Frank Hill; William Charles Macready; Felix Moscheles, and William Wetmore Story. Letters to Browning include an...

Abstract: The collection primarily consists of an album filled with drawings, prints, ephemera, and manuscript poems, letters, dedicatory inscriptions, and notes collected or created by John Charles Denham. The album contains 107 small drawings and sketches in graphite, ink, and watercolor by prominent British artists from the late eighteenth and early nineteenth centuries such as Richard Parkes Bonington, John Flaxman, Sir Thomas Lawrence, Paul Sandby, J. M. W. Turner, and Benjamin West, as well as...

Abstract: The Katherine S. Dreier portion of the collection contains correspondence between Dreier and artists and friends (including Constantin Alajalov, David Burli︠u︡k, Marcel Duchamp, Wassily Kandinsky, Man Ray, and Ted Shawn); and art-related organizations (including the Arts Club of Chicago, the Brooklyn Museum, the George Walter Vincent Smith Art Museum, and the Museum of Modern Art).There is some correspondence regarding art purchases and the packaging and shipping of art, such as that...

Abstract:

A set of nineteen posters with 112 bust portraits depicting identified men and women, primarily authors, artists, scientists, monarchs, and religious and political leaders from the eighteenth and nineteenth centuries, with a group of idealized heads illustrating characteristics identified by phrenologists.

Abstract: Collection contains correspondence, writings, drawings and paintings, and other papers documenting the life of E. Œ. Somerville, as well as materials related to Elizabeth Hudson's interest in the military and her involvement in the relief efforts of World Wars I and II. Correspondence includes letters to Hudson from the Chiswick Press, Hildegarde Coghill, Geraldine Cummins, Edith Somerville, Moira Somerville, and A. J. A. Symons concerning the Somerville family's life in Ireland, Edith...

Abstract: This collection consists of correspondence, manuscripts, galley proofs, and artwork that documents a varied sample of projects undertaken by Jonathan Williams and The Jargon Society, 1949-1990. Correspondence documents associations Williams had with collaborators for projects for The Jargon Society and with other publishers. Correspondents include Dana Winslow Atchley, Thomas A. Clark, Ian Gardner, Michael Loeb, Tom Phillips, U. Grant Roman, David Ruff, Henry Holmes Smith, Jon Edgar Webb,...

Abstract: The papers contain journals, notebooks, drawings and maps, documents and correspondence which document the activities of Edward and Richard Kern in the West and the Pacific from 1845-1860. A journal and a notebook document Edward Kern's participation in Fremont's third expedition to California; and a journal, a logbook, drawings, two maps and a letter document Edward's participation in the Northern Pacific Exploring Expedition in 1853-1856. A scrapbook of unsigned preliminary sketches and...

Abstract:

The collection consists of a series of tracings by John Linnell of 99 of the 102 drawings made by William Blake to illustrate Dante's Divina Commedia.

Abstract: The Stephen Longstreet Collection consists of four types of material: a heavily illustrated typescript of an undated and unpublished book project; 130 drawings in various formats and media; seven collages; and a small group of ephemeral items. The focus of the collection is Longstreet's observation of jazz culture, particularly as it engaged African Americans. He lived in cities on all three American coasts, as well as major cities in Europe, where he recorded scenes and people in local...

Abstract: Four discrete groups of drawings and paintings by amateur artists, probably created in North America, circa 1790-1820, that pay homage to the illustrations and text of "Metamorphosis, or A transformation of pictures, with poetical explanations: for the amusement of young persons," by Benjamin Sands, first published in North America in 1789. The groups of drawings and paintings are attributed to Esther Carpenter and Henry Perkins, as well as an unidentified artist. The groups replicate the...

Abstract: Photographic prints, drawings, and watercolors chiefly depicting sights on the Northwest Coast, particularly around Vancouver Island. The images were originally housed in a scrapbook kept by an unidentified individual; based on the contents of the scrapbook it is presumed that the person was a member of the joint U.S./British Northwest Boundary Commission. The photographs, taken by an unidentified photographer or photographers, depict deck scenes from what may be the H.M.S. Satellite;...

Scope and Contents: The collection contains sixty-three sketches, drawings, paintings, and prints acquired by Yale faculty member Norman Holmes Pearson not for their aesthetic or artistic merit, but because they were created by poets and other authors; he titled his collection “Art for the Wrong Reason.” The works were executed in crayon, gouache, graphite, ink, charcoal, oil, and watercolor on paper, board, canvas, and panel, by fifty-three writers including E. E. Cummings, George Du Maurier, Victor Hugo, D....

Abstract:

Circa 55 archeological illustrations and 95 archeological plans collected by John P. Peters and relating to the excavation of Nippur in Iraq, circa 1888-1895. Drawings are of various architectural structures (primarily ziggurats) and antiquities.

Abstract:

The papers contain correspondence with artistic and literary friends, Plank art work, art work of others, writings of friends, and a small quantity of personal papers. Prominent correspondents include H. D., Sylvia Townsend Warner, and Patrick White.

Abstract: The papers primarily relate to Richard Henry Pratt’s work and theories on education as a means of assimilating Native Americans into white American society. This is documented in correspondence, letter-press books, writings, diaries, notes, and photographs. Also included are papers relating to Pratt’s family, responses to Pratt’s work, and documentation about his founding and running the Carlisle Indian Industrial School, which removed Native American children from their homes and forced...

Abstract:

63 pencil, pen and ink, and wash drawings, signed, of buildings and architectural details, sculpture, and other subjects, chiefly in France, Northern Germany and Antwerp.

Abstract:

The collection includes 34 charcoal set design sketches by Albert M. Pyke of scenes from the film Mourning Becomes Electra, produced and directed by Dudley Nichols. The drawings, dating from circa 1947, are on mountings measuring 35 3/4" x 29 3/4" and smaller. Each drawing has a title label which reads: "Dudley Nichols Production of Eugene O'Neill's Mourning Becomes Electra [title of drawing] William E. Flannery, Art Director."