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Collection of Audio and Video Recordings on the Yale Center for British Art
This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.
"Conserving the Yale Center for British Art" film recordings by Zach Bjork
Constance Clement collection of Yale Center for British Art photographs and negatives
Duncan Robinson papers on Paul Mellon
Collection material mostly pertains the life of Paul Mellon and his relationship with Duncan Robinson, with an emphasis on Mellon's personal interests in horse racing and sporting art.
Jack Brown scrapbook
John Baskett papers
Collection material pertains to correspondence, exhibition catalogs, art-related publications, brochures, and loose-leaf notebooks of art reproductions that document the life and career of John Baskett, art dealer and close friend of Paul Mellon.
Jules David Prown Interview by Alessandra Latour recording
This collection comprises two audio cassette tape recordings, as well as their digitized versions, of an interview of Jules David Prown by Alessandra Latour, held in New Haven, Connecticut on June 23, 1982. In the interview, Prown discusses architect Louis I. Kahn and his work.
Jules David Prown interview by Karen E. Denavit manuscript
This collection consists of the transcript of an interview with Jules Prown by Karen E. Denavit and accompanying color photographs. The interview was conducted at the Yale Center for British art between March 1 and June 26, 2013. In it, Prown discusses his family, education, and time as Director of the Center. Prown edited the interview and wrote a brief introduction, which is included in this manuscript.
Jules David Prown Oral History Project recordings and transcripts
The project includes a paper transcript and recordings of the Jules David Prown Oral History Project. For the project, information analyst Karen E. Denavit interviewed Prown about his family, professional life, and travels. Particular attention is paid to Prown's interactions with Paul Mellon in the years 1968-1977, while the Yale Center for British Art's building and design were being decided.
Kevin Owens Watercolors of the Yale Center for British Art
This collection consists of thirteen watercolors showing different scenes at the Yale Center for British Art, including views of the building's exterior and of sculptures inside it.
Meyers Family Copy of National Geographic Magazine Issue on the National Gallery of Art
This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline “The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art.” It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine’s articles.
Paul and Rachel Mellon dealer files
Paul Mellon Centre for Studies in British Art newsletters
This collection consists of the biannual newsletters for the Paul Mellon Centre for Studies in British Art from the charity’s inaugural issue in December 1995 to May 2017.
Paul Mellon collection of Basil Taylor papers
Paul Mellon notebooks
This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.
Yale Center for British Art annual reports
This collection consists of the Yale Center for British Art annual reports from 1972-2016.
Yale Center for British Art building construction and maintenance collection
This collection consists of material related to the construction and maintenance of the Yale Center for British Art. It includes correspondence, publications, architectural sketches, mechanical specification notebooks, photographs, and slides.