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Collection of Audio and Video Recordings on the Yale Center for British Art
Collection
Call Number: A006
Scope and Contents:
This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.
Dates:
1972-1999
"Conserving the Yale Center for British Art" film recordings by Zach Bjork
Collection
Call Number: A004
Dates:
2016
Constance Clement collection of Yale Center for British Art photographs and negatives
Collection
Call Number: A002
Dates:
1971-2011
Jules David Prown Interview by Alessandra Latour recording
Collection — Box: 987
Call Number: S014
Scope and Contents:
This collection comprises two audio cassette tape recordings, as well as their digitized versions, of an interview of Jules David Prown by Alessandra Latour, held in New Haven, Connecticut on June 23, 1982. In the interview, Prown discusses architect Louis I. Kahn and his work.
Dates:
June 23, 1982
Jules David Prown interview by Karen E. Denavit manuscript
Collection — Box: 1280
Call Number: S013
Scope and Contents:
This collection consists of the transcript of an interview with Jules Prown by Karen E. Denavit and accompanying color photographs. The interview was conducted at the Yale Center for British art between March 1 and June 26, 2013. In it, Prown discusses his family, education, and time as Director of the Center. Prown edited the interview and wrote a brief introduction, which is included in this manuscript.
Dates:
March 1, 2013 - June 26, 2013
Jules David Prown Oral History Project recordings and transcripts
Collection — Box: 807
Call Number: S012
Scope and Contents:
The project includes a paper transcript and recordings of the Jules David Prown Oral History Project. For the project, information analyst Karen E. Denavit interviewed Prown about his family, professional life, and travels. Particular attention is paid to Prown's interactions with Paul Mellon in the years 1968-1977, while the Yale Center for British Art's building and design were being decided.
Dates:
March 12, 2013 - June 26, 2013
Kevin Owens Watercolors of the Yale Center for British Art
Collection
Call Number: S003
Scope and Contents:
This collection consists of thirteen watercolors showing different scenes at the Yale Center for British Art, including views of the building's exterior and of sculptures inside it.
Dates:
undated
Yale Center for British Art annual reports
Collection
Call Number: A032
Scope and Contents:
This collection consists of the Yale Center for British Art annual reports from 1972-2016.
Dates:
1972-2018
Yale Center for British Art building construction and maintenance collection
Collection
Call Number: A001
Scope and Contents:
This collection consists of material related to the construction and maintenance of the Yale Center for British Art. It includes correspondence, publications, architectural sketches, mechanical specification notebooks, photographs, and slides.
Dates:
1965-2007
Yale Center for British Art building history collection
Collection
Call Number: A003
Dates:
1966-1997
Yale Center for British Art Cross-Sectional Model
Collection
Call Number: S002
Scope and Contents:
This model represents a cross-section of the Yale Center for British Art. It was created and donated to the Center by Lindsay Falck's architecture students at the University of Pennsylvania School of Design.
Dates:
2013