Showing Collections: 1–19 of 19

Abstract: Incoming correspondence and outgoing typescript carbons, most 1965-1968, with some related writings and speeches by Babb, typescript carbon. Some correspondence concerns Yale University Library, Library acquisitions, donors Paul Mellon and the Beinecke family, and the founding of the Yale Center for British Art. Other correspondence relates to Babb's collecting of William Beckford and William McFee, or to his work in assembling a library for the White House, 1962-1967, including...

Scope and Contents:

This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.

Scope and Contents: This collection contains publications related to the Yale Center for British Art and its directors, the Paul Mellon Centre, Paul Mellon, Rachel Lambert Mellon, the Mellon family, and Louis I. Kahn.Series 1: Paul Mellon and Mellon family-related publications contains publications that address topics that detail the lives of Paul Mellon and other Mellon family members, including Rachel "Bunny" Lambert Mellon and Andrew W. Mellon, as well as titles that relate to Paul Mellon’s...

Abstract: This collection is comprised of photographic material created between 1970-2011 and documents the formation, use, and renovations of the Yale Center for British Art. Originating from the office of Constance "Cecie" Clement, Deputy Director and head of building conservation for the YCBA, these photographs are primarily 8" x 10" black and white photographs and 35mm and 120mm film negatives and document the construction, building details, evelations, of the museum as well as events,...

Abstract:

Photographs of architectural designs and finished work executed by H. Page Cross. Included are photographs of commercial, institutional and residential buildings with both interior and exterior views. A small amount of funiture design is also shown. Among the projects are floor plans for the Museum of Modern Art, the Foxcroft School, Trinity Episcopal Church of Upperville, Virginia, and designs for Paul Mellon residences in Virginia, Massachusetts, and the British West Indies.

Abstract: The papers consist almost entirely of social and professional correspondence. They also include an unpublished autobiography, The Reminiscences of William Adams Delano; printed matter; and a drawing made for the 46th anniversary of The Record. Much of the personal correspondence concerns Delano's membership in various New York clubs and his classmates in the Yale College class of 1895. His professional correspondence relates in part to important commissions, among them his work on the White...

Abstract:

Collection material mostly pertains the life of Paul Mellon and his relationship with Duncan Robinson, with an emphasis on Mellon's personal interests in horse racing and sporting art.

Scope and Contents: This collection consists of a scrapbook compiled by Jack Brown, the first Librarian at the Yale Center for British Art. It includes chronologically arranged newspaper articles, press releases, and correspondence from 1964-1969. Also included are articles about the exhibition of Paul Mellon’s British art collection at the Yale University Art Gallery (1965), his gift of artwork to Yale (1966), the appointment of Jules Prown as Director of the Yale Center for British Art (1968), and the...

Abstract:

Collection material pertains to correspondence, exhibition catalogs, art-related publications, brochures, and loose-leaf notebooks of art reproductions that document the life and career of John Baskett, art dealer and close friend of Paul Mellon.

Scope and Contents:

The project includes a paper transcript and recordings of the Jules David Prown Oral History Project. For the project, information analyst Karen E. Denavit interviewed Prown about his family, professional life, and travels. Particular attention is paid to Prown's interactions with Paul Mellon in the years 1968-1977, while the Yale Center for British Art's building and design were being decided.

Abstract:

The collection comprises correspondence by British artists, collected by Paul Mellon.

Scope and Contents:

This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline “The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art.” It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine’s articles.

Abstract:

The papers contain correspondence with family, friends, and acquaintances, plus a variety of personal papers, including obituaries, letters of sympathy, diaries, and scrapbooks documenting the lives of Richard E. and Alice Lee Myers and their children. Prominent correspondents include Stephen Vincent Benét, Nadia Boulanger, Grace Flandrau, John Gielgud, Charlotte Kett, Archibald MacLeish, and Gerald Murphy.

Abstract:

The collection comprises letters from Paul Oppé to Janet Camp Troxell, with related material.

Scope and Contents: The Paul and Rachel Mellon Dealer Files contain records relating to the purchase of rare books and artwork, including prints, etchings, engravings, drawings, sculpture, and paintings, by the Paul Mellon family. The records comprise correspondence, records, images, and invoices between various dealers, Paul Mellon, and his assistants and art advisors. Many files include detailed provenance, biographical, and conservation information for the artworks, as well as photocopied exhibition...

Scope and Contents: This collection consists primarily of correspondence between Basil Taylor, Paul Mellon, and Mellon's advisors, including Mellon's first curator, the art dealer John Baskett, regarding the development of Mellon's British art collection. These papers cover the years 1959 through 1975, the year of Taylor's death, with the bulk spanning 1960-1969, the years of Mellon, Baskett, and Taylor's most active collaboration and collection building. The correspondence includes telegrams, letters, lists of...

Scope and Contents:

This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.