Showing Collections: 1–20 of 42
- Art, British 15
- Art museums 13
- Architecture, Modern -- 20th Century 10
- Art -- Collectors and collecting 9
- Museums -- Management 9
- Art -- History 6
- Art historians 4
- Art museum curators -- United States 4
- Architecture -- Conservation and restoration 3
- Art museum directors 3
- Art museums -- United States 3
- Museums and community 3
- Museums and the Internet 3
- Art -- Reproduction 2
- Art dealers 2
- Education -- Research 2
- Museums -- Public relations 2
- Architectural photography 1
- Art -- Collectors and collecting -- United States 1
- Art -- Exhibitions 1 ∧ less
- Yale Center for British Art 31
- Mellon, Paul 13
- Kahn, Louis I., 1901-1974 8
- Prown, Jules David, 1930- 4
- Baskett, John 3
- Paul Mellon Centre for Studies in British Art 3
- Taylor, Basil 3
- Denavit, Karen 2
- Mellon, Rachel Lambert 2
- National Gallery of Art (U.S.) 2
- Yale Center for British Art. Communications and Marketing Department 2
- Yale Center for British Art. Exhibitions and Publications Department 2
- Yale Center for British Art. Office of the Director 2
- Yale Center for British Art. Reference Library and Archives 2
- Barnes, E. Bartlett 1
- Bjork, Zach 1
- Brewster, Kingman, Jr., 1919-1988 1
- Brown, Jack 1
- Clare College (University of Cambridge) 1
- Clement, Constance 1 ∧ less
- Storage location
- Stored onsite 22
- Stored onsite and offsite 13
- Stored offsite 7
This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.
Collection material mostly pertains the life of Paul Mellon and his relationship with Duncan Robinson, with an emphasis on Mellon's personal interests in horse racing and sporting art.
Collection material pertains to correspondence, exhibition catalogs, art-related publications, brochures, and loose-leaf notebooks of art reproductions that document the life and career of John Baskett, art dealer and close friend of Paul Mellon.
This collection comprises two audio cassette tape recordings, as well as their digitized versions, of an interview of Jules David Prown by Alessandra Latour, held in New Haven, Connecticut on June 23, 1982. In the interview, Prown discusses architect Louis I. Kahn and his work.
This collection consists of the transcript of an interview with Jules Prown by Karen E. Denavit and accompanying color photographs. The interview was conducted at the Yale Center for British art between March 1 and June 26, 2013. In it, Prown discusses his family, education, and time as Director of the Center. Prown edited the interview and wrote a brief introduction, which is included in this manuscript.
The project includes a paper transcript and recordings of the Jules David Prown Oral History Project. For the project, information analyst Karen E. Denavit interviewed Prown about his family, professional life, and travels. Particular attention is paid to Prown's interactions with Paul Mellon in the years 1968-1977, while the Yale Center for British Art's building and design were being decided.
This collection consists of thirteen watercolors showing different scenes at the Yale Center for British Art, including views of the building's exterior and of sculptures inside it.
This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline “The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art.” It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine’s articles.
This collection consists of the biannual newsletters for the Paul Mellon Centre for Studies in British Art from the charity’s inaugural issue in December 1995 to May 2017.
This collection consists of a run of publications by the Paul Mellon Centre for Studies in British Art from 1966 to 2018.
This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.