Showing Collections: 1–15 of 15
- Manuscripts and Archives 7
- Yale Center for British Art, Institutional Archives 6
- Beinecke Rare Book and Manuscript Library 1
- Robert B. Haas Family Arts Library Special Collections 1
- Art -- History 11
- Art historians 7
- Art -- History -- Study and teaching 4
- Architecture, Modern -- 20th Century 3
- Art, British 3
- Art 2
- Universities and colleges -- Departments 2
- American literature -- 20th century 1
- American poetry -- 20th Century 1
- Architecture 1
- Art -- Collectors and collecting 1
- Art -- Study and teaching 1
- Art historians -- United States -- 20th Century 1
- Art history -- Study and teaching 1
- Art schools 1
- Art students 1
- Audiotapes 1
- Authors, American -- 20th Century -- Archives 1
- Born digital 1
- Composition (Art) -- Study and teaching 1 ∧ less
- Yale University 6
- Prown, Jules David, 1930- 3
- Yale Center for British Art 3
- Kahn, Louis I., 1901-1974 2
- Mellon, Paul 2
- Paul Mellon Centre for Studies in British Art 2
- Yale University. School of Architecture 2
- Yale University. School of Art 2
- Clapp, Frederick Mortimer, 1879-1969 1
- Clapp, Maud Ede 1
- Conniff, Richard, 1951- 1
- Copley, John Singleton, 1738-1815 1
- Danes, Gibson A. 1
- Denavit, Karen 1
- Eaton, D. Cady (Daniel Cady), 1837-1912 1
- Ede family 1
- Focillon, Henri, 1881-1943 1
- Frick Collection 1
- Hunt, William Morris, 1824-1879 1
- Latour, Alessandra 1 ∧ less
- Storage location
- Stored onsite and offsite 6
- Stored offsite 6
- Stored onsite 3
The papers consist of Danes's unpublished manuscript, "William Morris Hunt, a Rebel in Back Bay", and correspondence and pictorial materials on which the work is partially based. The undated manuscript within Danes's papers is based on his dissertation, "A Biographical and Critical Study of William Morris Hunt, 1824-1879."
The records include lecture materials, notes, handouts, and assignments for courses in art history, composition, and painting taught by Richard A. Rathbone, professor of drawing and painting in the Yale Department of Painting.
Correspondence, notebooks, journals, lectures, drafts of articles and books, and other writings of D. Cady Eaton, art historian, social commentator, and professor at Yale. Included are a number of articles of a philosophical and satirical nature written for the New Haven Journal and Courier.
This collection comprises two audio cassette tape recordings, as well as their digitized versions, of an interview of Jules David Prown by Alessandra Latour, held in New Haven, Connecticut on June 23, 1982. In the interview, Prown discusses architect Louis I. Kahn and his work.
This collection consists of the transcript of an interview with Jules Prown by Karen E. Denavit and accompanying color photographs. The interview was conducted at the Yale Center for British art between March 1 and June 26, 2013. In it, Prown discusses his family, education, and time as Director of the Center. Prown edited the interview and wrote a brief introduction, which is included in this manuscript.
This collection consists of a run of publications by the Paul Mellon Centre for Studies in British Art from 1966 to 2018.
This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.
The papers consist of photographs, correspondence, research notes, and clippings assembled by art historian Martin Soria and documenting his studies of art and architecture in Europe, particularly Spain.
The materials consist of audiorecordings conducted by Richard Conniff for his portrait of Yale professor Vincent Scully in the March/April 2008 issue of the Yale Alumni Magazine. Interviewees include Scully, Elizabeth Plater-Zyberk, David McCullough, Ed Bass, and Charles Gwathmey. Also included are several of Scully's art history lectures.
This collection comprises a run of publications by the Yale Center for British Art from 1965 to 2018.
The materials consist of research papers, theses, and projects by students in art, art history, and architecture programs at Yale.