Showing Collections: 1–20 of 29

Abstract: The records document the activities of Artspace, a contemporary arts non-profit organization founded in 1984 and located in New Haven, Connecticut. The records primarily document Artspace's administrative history of fundraising, programming, and exhibitions including its annual open studios festival, its public art installations, and its annual benefit gala. Also included are materials related to Artspace's educations programs: Youthview, Summer Arts for Youth, and the Summer Apprenticeship...

Scope and Contents:

This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.

Abstract:

The records consist of material relating to the study of the Lee plantation conducted by the Mabel Brady Garvan Institute of American Arts and Crafts at Yale. Included are the Stratford survey report, financial records, background materials, correspondence, and subject and administrative files.

Abstract: The Henry Geldzahler papers consist of correspondence, writings, photographs, audiotapes, video recordings, motion picture film, printed material, and other papers that relate to the personal and professional life of the American photographer Henry Geldzahler. Other papers include notes and writings on Andy Warhol and others, working illustrations and notes for his unfinsished monograph, "Modern Art in America", and footage used in Peter Rosen's 2005 documentary about Geldzahler,...

Abstract:

The collection consists of correspondence, writings, professional and personal papers, photographs, printed material, computer and audiovisual media, and other papers documenting the career and life of American author, curator, and gallerist Eric Gustafson. Also included are correspondence, ephemera, and photographs of Navajo artist R. C. Gorman.

Scope and Contents: This collection consists of a scrapbook compiled by Jack Brown, the first Librarian at the Yale Center for British Art. It includes chronologically arranged newspaper articles, press releases, and correspondence from 1964-1969. Also included are articles about the exhibition of Paul Mellon’s British art collection at the Yale University Art Gallery (1965), his gift of artwork to Yale (1966), the appointment of Jules Prown as Director of the Yale Center for British Art (1968), and the...

Scope and Contents:

This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline “The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art.” It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine’s articles.

Abstract:

The rmaterials consist of photographs of class scenes in the Yale School of Fine Arts and sculpture in the Yale Art Gallery.

Abstract:

The collection consists of correspondence, manuscripts, sketches, photographs, and papers relating to the life and career of painter-sculptor Maurice Sterne.

Abstract:

The papers contain correspondence, diaries, writings, materials related to the production of Four Saints in Three Acts and the paintings of Florine Stettheimer, and miscellaneous papers.

Abstract: The Monroe Wheeler Papers consist of correspondence, manuscripts,personal and financial papers, photographs, graphic items, clippings, and objects which document Wheeler's life and work, principally at the Museum of Modern Art.Series I, Correspondence, contains letters found in Monroe Wheeler's archive following the processing of the Glenway Wescott Papers (YCAL MSS 134), which holds the majority of letters to and from Wheeler. Series II. Writings, gathers together material from...

Abstract:

The records consist of audio and video recordings of lectures, presentations and symposia held at the Yale Art Gallery and the Yale Center for British Art.

Scope and Contents:

This collection consists of the Advancement and External Affairs department records from 1966 to 2015. A major component is related to exhibitions held at the Center; this includes flyer designs, invitations, videos, brochures, press clippings, bookmarks, rack cards, visitor reports, and photographs. There are also records related to Friends of British Art. Public relations documentation accounts for much of the collection.

Scope and Contents:

This collection contains collection condition surveys that have been entered into TMS.

Scope and Contents:

This collection consists of administrative files, promotional materials, press releases, and records of Yale Center for British Art exhibitions. This collection also contains media, mostly videos and photographs, created by the Communications Department from 1995 to the present.

Scope and Contents:

The Conservation department records include general administrative records, such as information for annual reports, priority surveys, surveys of the permanent collection, and documentation of exhibitions and incoming and outgoing loans. Additonally, there are materials used for conservation research, which include samples of carpet and foam.

Scope and Contents:

This collection consists of Education department records from 1975-2018. There are general administrative records, records that relate to tours held at the Yale Center for British Art, and records that pertain to specific education programs created and run by the Center. There are planning materials, correspondence, and docent records, which include training materials and documentation of docent events.

Abstract:

The records consist of exhibit programs, posters, supporting materials, and audiotapes documenting exhibits from the Yale Center for British Art.

Scope and Contents:

The Exhibitions and Publications department records consist of general administrative records, correspondence within the Center and with other institutions, publication proofs and records, and documentation of exhibitions held both at the Center and at other institutions to which the Center contributed objects.