Showing Collections: 1–20 of 31
- Yale Center for British Art, Institutional Archives 19
- Manuscripts and Archives 6
- Beinecke Rare Book and Manuscript Library 5
- Robert B. Haas Family Arts Library Special Collections 1
- Art museums 21
- Art, British 9
- College art museums 6
- Museums -- Management 6
- Art museum curators -- United States 5
- Art -- Collectors and collecting 4
- Art -- Exhibitions 4
- Art museum directors 4
- Art museums -- United States 4
- Art, Modern -- 20th Century 3
- Audiotapes 3
- Born digital 3
- Museums and community 3
- Photographic prints 3
- Photographs 3
- Architecture, Modern -- 20th Century 2
- Art 2
- Art criticism 2
- Art museum curators -- United States -- 20th Century 2
- Artists -- United States 2 ∧ less
- German 1
- Italian 1
- Yale Center for British Art 18
- Mellon, Paul 5
- Yale University 5
- Yale University. Art Gallery 4
- Kahn, Louis I., 1901-1974 3
- Hartley, Marsden, 1877-1943 2
- Museum of Modern Art (New York, N.Y.) 2
- Stein, Leo, 1872-1947 2
- Tchelitchew, Pavel, 1898-1957 2
- Wescott, Glenway, 1901-1987 2
- Yale Center for British Art. Reference Library and Archives 2
- Adams, Ansel, 1902-1984 1
- American Society of Painters, Sculptors, and Gravers 1
- Apollo Muses Center for the Arts 1
- Artspace, Inc. 1
- Balm, Adolphe 1
- Beaton, Cecil, 1904-1980 1
- Bender, Albert M. (Albert Maurice), 1866-1941 1
- Berenson, Bernard, 1865-1959 1
- Bernhardt, Sarah, 1844-1923 1 ∧ less
- Storage location
- Stored onsite and offsite 13
- Stored offsite 11
- Stored onsite 7
This collection consists of audio and video material about the Yale Center for British Art that has been created by other entities. Highlights of the collection include media about the opening of the Center, documentaries from television and public radio related to the Center and its exhibitions, and the film “Something to Brighten up the Morning” about Paul Mellon's horse Mill Reef.
Collection material mostly pertains the life of Paul Mellon and his relationship with Duncan Robinson, with an emphasis on Mellon's personal interests in horse racing and sporting art.
The records consist of material relating to the study of the Lee plantation conducted by the Mabel Brady Garvan Institute of American Arts and Crafts at Yale. Included are the Stratford survey report, financial records, background materials, correspondence, and subject and administrative files.
The collection consists of correspondence, writings, professional and personal papers, photographs, printed material, computer and audiovisual media, and other papers documenting the career and life of American author, curator, and gallerist Eric Gustafson. Also included are correspondence, ephemera, and photographs of Navajo artist R. C. Gorman.
This collection consists of a special edition reprint of National Geographic magazine from March 1967 with the headline “The National Gallery after a Quarter Century by John Walker, Director, National Gallery of Art.” It is 38 pages in length and includes color photographs. Paul Mellon and the Mellon family feature prominently within the magazine’s articles.
The papers contain correspondence, diaries, writings, materials related to the production of Four Saints in Three Acts and the paintings of Florine Stettheimer, and miscellaneous papers.
Yale University Art Gallery and the Yale Center for British Art, recordings of lectures and presentations
The records consist of audio and video recordings of lectures, presentations and symposia held at the Yale Art Gallery and the Yale Center for British Art.
This collection consists of the Advancement and External Affairs department records from 1966 to 2015. A major component is related to exhibitions held at the Center; this includes flyer designs, invitations, videos, brochures, press clippings, bookmarks, rack cards, visitor reports, and photographs. There are also records related to Friends of British Art. Public relations documentation accounts for much of the collection.
This collection contains collection condition surveys that have been entered into TMS.
This collection consists of administrative files, promotional materials, press releases, and records of Yale Center for British Art exhibitions. This collection also contains media, mostly videos and photographs, created by the Communications Department from 1995 to the present.
The Conservation department records include general administrative records, such as information for annual reports, priority surveys, surveys of the permanent collection, and documentation of exhibitions and incoming and outgoing loans. Additonally, there are materials used for conservation research, which include samples of carpet and foam.
This collection consists of Education department records from 1975-2018. There are general administrative records, records that relate to tours held at the Yale Center for British Art, and records that pertain to specific education programs created and run by the Center. There are planning materials, correspondence, and docent records, which include training materials and documentation of docent events.