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- Yale Center for British Art, Institutional Archives 5
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James T. Babb Correspondence
Collection
Call Number: GEN MSS 1011
Overview:
Incoming correspondence and outgoing typescript carbons, most 1965-1968, with some related writings and speeches by Babb, typescript carbon. Some correspondence concerns Yale University Library, Library acquisitions, donors Paul Mellon and the Beinecke family, and the founding of the Yale Center for British Art. Other correspondence relates to Babb's collecting of William Beckford and William McFee, or to his work in assembling a library for the White House, 1962-1967, including...
Dates:
1962-1968, bulk 1965-1968
Paul and Rachel Mellon dealer files
Collection
Call Number: S008
Scope and Contents:
The Paul and Rachel Mellon Dealer Files contain records relating to the purchase of rare books and artwork, including prints, etchings, engravings, drawings, sculpture, and paintings, by the Paul Mellon family. The records comprise correspondence, records, images, and invoices between various dealers, Paul Mellon, and his assistants and art advisors. Many files include detailed provenance, biographical, and conservation information for the artworks, as well as photocopied exhibition catalogs....
Dates:
1933-1997
Paul Mellon collection of Basil Taylor papers
Collection
Call Number: S006
Scope and Contents:
This collection consists primarily of correspondence between Basil Taylor, Paul Mellon, and Mellon's advisors, including Mellon's first curator, the art dealer John Baskett, regarding the development of Mellon's British art collection. These papers cover the years 1959 through 1975, the year of Taylor's death, with the bulk spanning 1960-1969, the years of Mellon, Baskett, and Taylor's most active collaboration and collection building. The correspondence includes telegrams, letters, lists of...
Dates:
1959-1975
Paul Mellon notebooks
Collection
Call Number: S009
Scope and Contents:
This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.
Dates:
1925-1929