Showing Collections: 1–20 of 90
- Theater -- United States 30
- Photographic prints 24
- Photographs 22
- Audiovisual materials 18
- Theater programs 15
- Scrapbooks 14
- Authors, American -- 20th Century -- Archives 13
- Actors -- United States 11
- Theatrical producers and directors -- United States 11
- American drama -- 20th Century 10
- Dramatists 10
- Scripts (documents) 10
- Theater -- Production and direction 10
- Theater -- Production and direction -- United States 10
- American literature -- 20th century 9
- Authors -- United States -- 20th century 9
- Set designers -- United States 9
- Sound recordings 9
- Audiovisual materials -- United States -- 20th Century 8
- Born digital 8 ∧ less
- French 6
- German 5
- Spanish; Castilian 3
- Russian 2
- Hungarian 1
- O'Neill, Eugene, 1888-1953 6
- Van Vechten, Carl, 1880-1964 6
- Yale School of Drama 6
- Fontanne, Lynn, 1887-1983 4
- Jones, Robert Edmond, 1887-1954 4
- Stein, Gertrude, 1874-1946 4
- Thomson, Virgil, 1896-1989 4
- Wescott, Glenway, 1901-1987 4
- Coward, Noel, 1899-1973 3
- Craig, Edward Gordon, 1872-1966 3
- Helburn, Theresa, 1887-1959 3
- Kazan, Elia, 1909-2003 3
- Langner, Lawrence, 1890-1962 3
- Luhan, Mabel Dodge, 1879-1962 3
- Lunt, Alfred, 1892-1977 3
- Marshall, Armina 3
- Stieglitz, Alfred, 1864-1946 3
- Tchelitchew, Pavel, 1898-1957 3
- Theatre Guild 3
- Toklas, Alice B., 1877-1967 3 ∧ less
- Storage location
- Stored onsite and offsite 48
- Stored offsite 31
- Stored onsite 11
Autograph manuscript letters, signed, of Janet Achurch and Charles Charrington and their correspondents. Letters concern: casting of theatrical productions; investing in theatrical projects; Charrington's involvement in the Fabian Society; and other professional and domestic topics. Correspondents include Harley Granville-Barker, William Poel, and Kate Santley. Also included is a booking sheet for the Vaudeville Theatre, London, circa 1880.
The Frank Poole Bevan Papers consist of theater costume designs, set designs, photographs, and other material documenting the work of Frank Poole Bevan. The papers provide evidence of Bevan's career as a designer and faculty member in the Yale School of Drama. The papers illuminate Bevan's creative life and are useful for studying the history of American costume design in the mid twentieth century.
This collection contains correspondence, writings, photographs, posters, puppets, printed material, personal papers, realia, and other materials created by or relating to the life and work of Lee Breuer.
Plays, cinema scenarios, correspondence, notes, clippings and reviews of Mrs. W.K. Clifford, d. 1929 (also known as Lucy Clifford and John Inglis).
The collection consists of correspondence, including letters from Kay Boyle, Donald Gallup, Robert Haas, Marcel Marceau and the artist Henry Miller; photographs; clippings; printed material; sound recordings; and manuscripts relating to the production of Nancy Cole's one-woman show, Gertrude Stein's Gertrude Stein, and other projects, including One of Each.
The collection contains drafts and print editions of scripts, scores, and other writings by American playwrights Edward Albee and Tennessee Williams, and musical theater writer and composer Stephen Sondheim. Also included is correspondence, contracts, and other materials related to the publication of Sondheim’s and Williams’s works; photographs; printed materials, such as playbills, souvenir programs, periodicals, and clippings; and notes and inventories related to the collection.
The collection consists chiefly of bound manuscript diaries and corresponding typescript transcriptions. Also included in the collection is a bound manuscript recipe book, two letters, and a theater script translated into English from French by Dunlap entitled Thirty Years or The Life of a Gamester or The Gambler's Fate.
The writings consist of manuscript and typescript drafts of various works by Walter Prichard Eaton. Included is a typescript draft of The Ecole Des Beaux-Arts in the 90's by Charles Morris.