Showing Collections: 1–20 of 27
- Photographs 21
- Photographic prints 13
- Arizona -- Pictorial works 8
- New Mexico -- Pictorial works 8
- Indians of North America -- Pictorial works 7
- South Dakota -- Pictorial works 7
- Indians of North America -- Portraits 5
- North Dakota -- Pictorial works 4
- Pine Ridge Indian Reservation (S.D.) -- Pictorial works 4
- Utah -- Pictorial works 4
- Batesland (S.D.) -- Pictorial works 3
- Black Hills (S.D. and Wyo.) -- Pictorial works 3
- British Columbia -- Pictorial works 3
- California -- Pictorial works 3
- Dakota Access Pipeline -- Pictorial works 3
- Gelatin silver prints 3
- Haida Gwaii (B.C.) -- Pictorial works 3
- Haida Indians -- Pictorial works 3
- Interior (S.D.) -- Pictorial works 3 ∧ less
- Willis, John, 1957- 7
- John Willis 5
- Halverson, Karen, 1941- 4
- Luck, Owen Craig, 1947- 3
- Thomas, James Edward, 1957- 3
- White, Christian, 1962- 3
- Wilson, Will, 1969- 3
- Belanger, Marion, 1957- 2
- Rowan, Jonathan O., Jr. 2
- Swanson, Mary 2
- Wilcox, Dwayne 2
- Yellow Bull, Jennifer 2
- Ali, Muhammad, 1942-2016 1
- Bennett, Georgia Liddle 1
- Black Rock Press 1
- Blackwell, Walker 1
- Blesse, Robert E. 1
- Boley, Tyler 1
- Brewer, Bryan V. 1
- Bullpit, Corey 1 ∧ less
Inkjet prints of photographic images created by Will Wilson for his series, Connecting the Dots: For a Just Transition, 2019-2021.
In an artist's statement for the series, Wilson writes that it "intends to shape a platform for voices of resilience, Indigenous knowledge and restorative systems of remediation while bearing witness to a history of environmental damage and communal loss on the Navajo Nation."
Photographs of residential neighborhoods in Detroit, Michigan created by Karen Halverson in July 2018. Images include portraits of residents working in private and community gardens as well empty lots and abandoned buildings.
Portfolio of inkjet prints of photographs by Peter Goin that document nuclear test sites in Nevada and the Marshall Islands, as well as a and a radioactive waste repository in Washington, circa 1986-1988, and printed in 2011.
Ten photographs of trees in Columbia County, New York, created by Karen Halverson in 2014-2015. The photographer introduced tree flagging tape into the scenes with a range of colors.
Photographs of Alaska and Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, 2011-2012, printed as thirty-three black-and-white gelatin silver prints and five color inkjet prints that chiefly document Haida and Tlingit people, sites, and cultures.
Photographs of Haida Gwaii (formerly known as the Queen Charlotte Islands), British Columbia, created during the summer of 2012, and printed as 77 inkjet prints that document the Haida and Kwakwak'awakw (also known as Kwakiutl) people and cultures.
Photographs of sites and portraits of people on and near levees surrounding New Orleans, Louisiana, created by Karen Halverson in spring 2015 and 2016. Images include views of buildings and ships as well as people in Orleans Parish and Jefferson Parish.
Collection of eleven "study sets" that represent selections from series created by Parks, chiefly 1942-1976. Photographic prints in the sets include images reproduced by the Gordon Parks Foundation, 2012-2021, as well as examples of prints created by Parks during his professional life, 1942-2006.
Inkjet prints created in 2011 by printmakers of their own black-and-white photographic work, 1995-2011, that they compiled as portfolios and exchanged in conjunction with the meeting of the Society of Photographic Educators in Atlanta, Georgia, March 2011.
Ledger drawings created by Oglala Lakota artist Dwayne Wilcox, 2008-2018. The collection includes 48 titled drawings, which appear in his book, Visual/Language: The Ledger Drawings of Dwayne Wilcox (Staunton, Virginia: George F. Thompson Publishing, 2021), edited by Karen Miller Nearburg. One drawing has an inkjet print affixed to its recto. The collection also includes nine untitled drawings on versos, which are probably preparatory drawings for other work.