Showing Collections: 1–20 of 277

Collection consists of mounted black and white and color reproductions of modern African, Australian, European, and Asian architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of Canadian and U.S. architecture to the mid-twentieth century.

Collection consists of mounted black and white and color reproductions of modern Canadian and U.S. architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of modern architecture, predominantly European.

: Collection consists of 25 mounted black and white and color reproductions of 20th century Japanese paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection of mounted color and black and white labeled photographs covering a broad range of teaching materials for sub-Saharan African, Afro-Caribbean and African American art and architecture. Many items in the collection donated by Professor Robert Thompson, or acquired at his request.

Collection consists of color and black and white 35 mm slides of the arts of African, Native American, and Pacific Rim cultures, including Australia and New Zealand, as well as Afro-Brazilian, Afro-cuban, Afro-Haitian, Afro-Mexican, Afro-Portuguese, Afro-Surinam, and Afro-American arts.

Collection consists of black and white glass lantern slides of the arts of African, Native American, and Pacific Rim cultures, including Australia and New Zealand, as well as Afro-Brazilian, Afro-Cuban, Afro-Haitian, Afro-Mexican, Afro-Portuguese, Afro-Surinam, and Afro-American arts.

Photographs related to the publication: Ludwig, Allan I. Graven images: New England stone-carving and its symbols, 1650-1815 / by Allan I. Ludwig. Middletown, Conn.: Wesleyan University Press [c1966] xxxi, 482 p.: ill., maps; 26 cm.

Collection of black and white unmounted photographs of Renaissance sculpture, principally sepulchral monuments, in Rome, arranged in folders by location (church) including many details, photographed by Allan Ludwig (vendor). Limited identifying information stamped on the reverse of some photographs.

Collection black and white and color reproductions of American architecture from the Colonial period through the present, with an emphasis on 19th and 20th century buildings. Content varies from original photographic prints to reproductions from magazines and other published sources.

Consists of reproductive photographs of original paintings from a variety of countries, cultures, time periods and in a variety of styles.

The collection consists of illustrated 19th century trade cards (small printed cards, bearing tradesmen’s advertisements and including an illustration); early 20th century advertising cards which were distributed by merchants or manufacturers to advertise or promote their business or product; and a small number of collecting cards.

Collection consists of black and white and color reproductions of ancient architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of ancient- Early Medieval architecture.

Collection consists of color and black and white reproductions of ancient painting (Classical and Ancient Near Eastern). Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

This collection contains numerous bookplates commissioned by various members of the Diamond Family. J. Edouard “Jack” Diamond and Elizabeth Watson Diamond were avid bookplate collectors and the proprietors of Hyacinth Press, a small private press which they operated from their home in Cleveland, OH.

The collection consists of early American bookplates commissioned by both individuals and institutions, as well as correspondence and ephemeral materials related to the collection.

The collection consists of bookplates by Japanese artists, for Japanese patrons, or both. Individual and institutional patrons are represented.