Showing Collections: 121–140 of 278

This collection contains bookplates, original artwork, trial proofs, artist’s proofs, additional process materials, and correspondence related to the production and/or exchange of bookplates by Edwin Davis French.

Collection of medium format mounted black and white and color reproductions of French painting. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

Collection consists of black and white glass lantern slides of general material relating to architectural construction and types of planning. Includes sections on gardens, type of building plans and urban planning schemes.

Collection of mounted black and white and color reproductions of German paintings. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

This collection was put together by Louis Ginsberg from the 1940s to 1983. The over 700 plates include examples of individual patrons as well as institutional and commercial patrons. There is also a section of bookplates by artist Leonard Baskin and Ismael Smith.

The collection contains bookplates designed by Stephen Gooden (1892-1955). It also includes process materials—e.g., original sketches, trial proofs, and engraved plates—as well as correspondence and ephemera.

Collection consists of black and white glass lantern slides of Gothic architecture.

Collection of mounted black and white and color reproductions of Gothic architecture. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

This collection contains examples of graphic art from 1800-1899. Many of these materials are not dated; an educated guess as to the age of the material was based on paper type and subject matter.

This collection contains examples of graphic art from 1900-1999. Many of these materials are not dated; an educated guess as to the age of the material was based on paper type and subject matter.

Collection of projects completed by graduate students in classes of the Yale School of Art Graphic Design Program. Items include projects produced for classes taught by Bradbury Thompson, Paul Rand, and Alvin Eisenman.

The collection contains illustrations, proofs, and sketches created by Gillett Griffin for the publication of A Mouse’s Tale.

The collection contains correspondence between Frank S. Hatch of Longmeadow, MA, and the bookplate designer Frederick Charles Blank of Boston.

The collection contains a selection of works by visual poet Scott Helmes, who is an artist active in St. Paul, Minnesota.

This collection comprises printed illustrations of German coats of arms, individually mounted and labeled, as well as reproductions of early German bookplates and other supporting reference material related to German heraldic devices.

The Lance Hidy Collection documents the process of book design and illustration through correspondence, proofs, and other ephemera. Of particular note is the documentation of Losing Things at Mr. Mudd’s, the first children’s picture book to be created on the computer. The collection also contains a good representation of poster designs.

Collection consists of mounted black and white and color reproductions of artistic photographs. Content varies from original photographic prints to reproductions from magazines and other published sources. Some sections have accompanying clippings folders.

This small collection contains primarily examples of the bold graphic style Hnizdovsky adopted toward the end of his career in the 1970s and 1980s. Some of the prints are hand colored; many are signed editions.

This collection gives a snapshot of the activities of the student group the Honorable Company of College Printers from the inception of the printing presses in residential colleges at Yale to the 1990s. The heyday of this group was in the mid 1950s to the early 1980s, when George Vaill was active.