Showing Collections: 1–7 of 7
- Repository: Oral History of American Music X
- Composers -- United States -- 20th Century 3
- African American Composers 1
- Composers -- Connecticut -- New Haven 1
- Composers -- Germany 1
- Composers -- United States 1
- Composers -- United States -- 20th Century -- Interviews 1
- Composers -- United States -- 21st century 1
- Copland, Aaron, 1900-1990 1
- Ellington, Duke, 1899-1974 1
- Hindemith, Paul, 1895-1963 1
- Ives, Charles, 1874-1954 1
- Jazz 1
- Jazz musicians 1
- Music -- United States -- 21st century 1
- Piano makers -- United States 1
- Pianos 1
- Steinway & Sons 1
- Women composers 1
- Yale University -- Students 1 ∧ less
- Perlis, Vivian 4
- Bolster, Caitriona 1
- New Music USA 1
- Oteri, Frank J., 1964- 1
- Van Cleve, Libby 1
Call Number: OHVI
Scope and Contents: The Aaron Copland Oral History comprises approximately 75 interviews with colleagues, friends, and family of Aaron Copland (note: for interviews with Copland himself, see the Major Figures in American Music collection). Oral History of American Music (OHAM) founder Vivian Perlis first became friends with Copland while working on the Charles Ives Oral History. Copland later wrote the preface for her book, Charles Ives Remembered. As the Ives project finished, Perlis focused on Copland as her new...
Dates: 1948-1989, bulk 1980-1989
Call Number: OHII
Scope and Contents: The Charles Ives Oral History was the first documentary oral history of an American composer. Interviews with sixty people who knew and worked with Charles Ives were conducted between 1968 and 1971, and this project was the impetus for the founding of Oral History of American Music (OHAM). Family, friends, neighbors, business associates, and musicians reminisce about one of the most significant artistic figures of the century. The project formed the basis of the award-winning book by Vivian...
Call Number: OHIII
Scope and Contents: The Duke Ellington Oral History is comprises ninety-two interviews with and about Ellington, one of America's greatest composers. Included among the interviewees are musicians, family members, friends, and colleagues.
Dates: 1939-1987, bulk 1977-1987
Call Number: NMUSA
Content Description: 52 interviews conducted for NewMusicBox, the online magazine for New Music USA.
Call Number: OHI
Scope and Contents: The Paul Hindemith Oral History consists of seventy-five interviews with students, performers, colleagues, and friends of the celebrated German composer. The Hindemith oral history complements and gives added dimension to the Paul Hindemith Collection of personal papers and manuscripts in the Irving S. Gilmore Music Library at Yale University.
Dates: 1951-2007, bulk 1972-1977
Call Number: OHIV
Scope and Contents: The Steinway & Sons Oral History traces the history of Steinway & Sons, one of the preeminent manufacturers of pianos, from its years as a family business until its acquisition by CBS in 1972. One-hundred twenty interviews provide a multi-level look at a major musical institution that has made a significant impact on musical culture in the United States and abroad. Interviewees include Steinway family members, piano technicians, factory workers, Steinway agents, and concert pianists.
Call Number: OHVII
Scope and Contents: The Yale Student Composers project documents Yale’s celebrated graduate student composers. These promising young artists are interviewed at the outset of their studies at Yale, and they speak about their work, musical education, inspiration, and other subjects. Their testimony is filmed by a professional videographer.