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Watercolors (paintings)

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to two-dimensional works of art, usually on a paper support, to which pigment suspended in water is applied with a brush to create an image or design. Includes paintings using gouache, which is not technically watercolor paint.

Found in 974 Collections and/or Records:

"__amber's _op, Taben-Dodo, June 51, In front of Fort White" hilltop beyond a dusty lowland., 1851 June

 Item — 1: Series 1; Series 2; Series 3; Series 4 [Barcode: 39002106196117], Folder: 5e(7)
Call Number: MSS 11, Series IV
Scope and Contents:

Watercolor sketch of a dusty lowland in foreground with brushy hill rising to a slightly rocky peak in the background. A dirt path appears to wind up towards the peak. The title is not completely legible, but indicates that this image is of a location in the Tabendodo Mountains (a name which seems to have become obsolete).

Dates: 1851 June

1. India. The Caves of Elephanta near Bombay. March 1850., 1850 March

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents:

Depicts naval officers drinking and dining in the Elephanta Caves, near present-day Mumbai. Porcher may have looked to models such as 'The Temple of Elephanta': line engraving by James Phillips after painting by James Wales, based on an original drawing by James Forbes (Published London, 1790). Porcher’s signature appears on the bottom left corner.

Dates: 1850 March

4. Burmah. Pagodas Rangoon. April 7th 1853., 1853 April 7

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents: Porcher describes the pagodas of Rangoon in his journal: “The town of Rangoon is situated on the north shore of a considerable branch of the river that extends to the westward about a league, and is about 24 miles from the entrance. The Dagon Pagoda supposed to be the finest in this part of the country, and held in high veneration by the natives by its containing light true hairs of Gautama, is about 2 miles from the town in a NNW direction, on an elevation of 487 feet above high water...
Dates: 1853 April 7

6. Burmah. Principal pagodas at Moulmein, Martaban and the Salween river in the distance. April 28th 1853., 1853 April 28

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents:

Porcher describes the significance of the significance of the Martaban river as “the boundary between the Burmese dominions, and the territory ceded to the British Government” (66). The date of the watercolor roughly corresponds to a letter sent to his sister, Madelina, in which he briefly describes conditions following the Second Anglo-Burmese war (see Miscellaneous series, 1853 letter).

Dates: 1853 April 28

7. China. Hong Kong from the Capsingmoon Passage. July 30, 1852., 1852 July 30

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents:

“HONG KONG” is inscribed in the lower left corner.

Dates: 1852 July 30

8. Hong Kong from Lyemoon Passage. September 8, 1852., 1852 September 1852

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents:

Visible in the distance is Victoria Peak, which dominated early views of the city. Settlement soon began to encroach higher as the city expanded, with the most prestigious Western-style settlements on the peak.

Dates: 1852 September 1852

10. Hong Kong from the beach road, leading to the Happy Valley. December 9, 1852., 1852 December 9

 Item — Oversize 1: Series 1; Series 3
Call Number: MSS 38 , Series I
Scope and Contents:

This representation illustrates the fashion of British colonial modes of transport by the early 1850s. Chinese figures carry a palanquin, while a horse-drawn carriage also charges by. Happy Valley was the site of a British racecourse and a Protestant Cemetery (see watercolor “11”).

Dates: 1852 December 9