Wood-engraving
Found in 14 Collections and/or Records:
John Bastin archive
The collection comprises proofs for book illustrations engraved on wood by John Bastin.
Clare Leighton working on Grist Milling (2 of 6), [between 1949 and 1953]
Depicts Clare Leighton working on the woodblock for Grist Milling. Her face is not in the frame, which centers on her hands and tools. Verso: numbered "8" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Grist Milling (3 of 6), [between 1949 and 1953]
Depicts Clare Leighton inking the woodblock for Grist Milling with a hand-held ink-roller. She is visible from the waist up, wearing a loose, dark-colored dress. Verso: numbered "5" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Grist Milling (4 of 6), [between 1949 and 1953]
Depicts Clare Leighton printing Grist Milling by hand, using the back of a spoon to rub the paper onto the woodblock. Only her hands and torso are visible. Verso: numbered "4" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Grist Milling (5 of 6), [between 1949 and 1953]
Depicts Clare Leighton peeling a freshly printed page from the woodblock for Grist Milling. Leighton's face is well-lit from the left (her right). Verso: numbered "2" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Grist Milling (6 of 6), [between 1949 and 1953]
Depicts Clare Leighton peeling a freshly printed page from the woodblock for Grist Milling. Landscape orientation. Leighton's face is half-hidden in shadow, only the left side discernible. Verso: numbered "2" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Ship Wreck (1 of 2), [between 1949 and 1953]
Depicts Clare Leighton engraving the woodblock for Ship Wreck (1953). Only her hands and torso are in the frame. Verso: numbered "15" in pencil; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Clare Leighton working on Ship Wreck (2 of 2), [between 1949 and 1953]
Depicts Clare Leighton engraving the woodblock for Ship Wreck (1953). Only her hands and torso are in the frame. Verso: numbered "17" in pencil; someone (not Leighton) has written in pen, "Please return to Mrs. Henry Harper Hart. R7D #2 Southbury Conn." ; red ink stamp reading: "Photography by / Ruth M. Hitzberger / Church Hill Road / Washington Depot, Conn. / Wash. 2687."
Fritz Eichenberg papers
The papers consist of correspondence; professional, travel, and teaching files; financial and legal papers; printed material; and memorabilia documenting the professional life of graphic artist Fritz Eichenberg.
Collection of Bookplates by John W. Evans
This collection includes bookplates designed by John W. Evans (1855-1943), a master wood engraver born in Brooklyn, NY.
Jacques Hnizdovsky collection
This small collection contains primarily examples of the bold graphic style Hnizdovsky adopted toward the end of his career in the 1970s and 1980s. Some of the prints are hand colored; many are signed editions.
Clare Leighton collection
The collection comprises original artwork and manuscript material by Clare Leighton for a series of 12 Queen's ware plates representing New England industries, produced by Josiah Wedgwood & Sons in 1952.
Donald Oenslager collection of Edward Gordon Craig
Collection of printing production materials
This collection contains examples of materials used in intaglio, relief, and planographic printing processes, as well as examples of the various stages in the printing process.