Composers -- United States -- 20th Century
Subject Source: Local sources
Found in 11 Collections and/or Records:
Call Number: OHVI
Scope and Contents: The Aaron Copland Oral History comprises approximately 75 interviews with colleagues, friends, and family of Aaron Copland (note: for interviews with Copland himself, see the Major Figures in American Music collection). Oral History of American Music (OHAM) founder Vivian Perlis first became friends with Copland while working on the Charles Ives Oral History. Copland later wrote the preface for her book, Charles Ives Remembered. As the Ives project finished, Perlis focused on Copland as her new...
Dates: 1948-1989, bulk 1980-1989
Call Number: JWJ MSS 151
Overview: Vocal music, most 1960s or undated, consisting of autograph manuscript drafts and arrangements, transparencies, and diazo reproductions, some accompanied by copies of published music; and a small amount of other papers. Autograph manuscript music includes spirituals arranged for solo voice or chorus; The Negro Speaks of Rivers, Songs of the Seasons, Three Dream Portraits, and other songs on texts by Langston Hughes; songs on texts by Edna St. Vincent Millay and other poets; and musicals and...
Dates: 1928-1983, bulk 1960-1969
Call Number: OHII
Scope and Contents: The Charles Ives Oral History was the first documentary oral history of an American composer. Interviews with sixty people who knew and worked with Charles Ives were conducted between 1968 and 1971, and this project was the impetus for the founding of Oral History of American Music (OHAM). Family, friends, neighbors, business associates, and musicians reminisce about one of the most significant artistic figures of the century. The project formed the basis of the award-winning book by Vivian...
Call Number: YCAL MSS 656
Overview: The Max Ewing Papers consist of correspondence, writings, sheet music, photographic prints and negatives, photograph albums, scrapbooks, diaries, sound recordings, writings of others, notebooks, printed material, personal papers, and a sculpture. Correspondence includes letters from Ewing to his parents, general correspondence with friends and family, and third party correspondence regarding Ewing. Writings contain autograph manuscript and typescript drafts and printed versions of short...
Dates: 1887-2003, bulk 1910-1934
Call Number: MSS 47
Call Number: MSS 133
Scope and Contents: The Papers are focused principally on Laderman’s prolific career as a composer. Virtually all of his compositions are held in the collection, including chamber music, orchestral works, operas and musicals, oratorios and cantatas, and scores for film and television. The collection contains many sketches and drafts, which give insight into Laderman’s compositional process. The collection also contains a significant number of reel-to-reel recordings of Laderman’s works.The remainder of...
Call Number: GEN MSS 1154
Call Number: OHI
Scope and Contents: The Paul Hindemith Oral History consists of seventy-nine interviews with students, performers, colleagues, and friends of the celebrated German composer. The Hindemith oral history complements and gives added dimension to the Paul Hindemith Collection of personal papers and manuscripts in the Irving S. Gilmore Music Library at Yale University.
Dates: 1951-2007, bulk 1972-1977
Call Number: YCAL MSS 866
Scope and Contents: The collection consists of material documenting Albert Selden's career as a composer and producer of musical and dramatic theater productions including typescript and manuscript playscripts and music scores by Selden and others; scrapbooks containing photographs, clippings and memorabilia relating to Selden's family and his theatrical career including Man of La Mancha and the Goodspeed Opera House; production window cards and programs; and published songbooks and...
Call Number: MSS 144
Call Number: YCAL MSS 811
Overview: The Louise Talma Papers contain materials relating to composition and performance of Talma's opera The Alcestiad, and to Thornton Wilder, his friendship with Talma, and his collaboration with her as librettist for The Alcestiad. Contents relating to The Alcestiad, 1950s-1970s, include autograph letters, signed, to Talma from Thornton Wilder, 1952-1975 and undated, and from his sister Isabel Wilder, 1954-1972, with some letters annotated by Talma; autograph manuscript music drafts; diazo...
Dates: 1942-1985, bulk 1952-1963