Drawings (visual works) -- United States -- 20th Century
Found in 16 Collections and/or Records:
The Thomas Beer Collection contains correspondence between Beer and his publisher Alfred A. Knopf and printed versions of Beer's writings. The Collection also contains reviews of Beer's writings, articles about Beer, original illustrations for Beer's publications, and a photograph of Beer.
The Frank Poole Bevan Papers consist of theater costume designs, set designs, photographs, and other material documenting the work of Frank Poole Bevan. The papers provide evidence of Bevan's career as a designer and faculty member in the Yale School of Drama. The papers illuminate Bevan's creative life and are useful for studying the history of American costume design in the mid twentieth century.
The Charles Henri Ford Papers contain correspondence, writings, and artwork that document Ford's activities as an author and journal editor,with the bulk of the material dating from 1928 to 2002. Much of the material acquired before 1982 relates to the journals Blues and View, while the 2004 acquisition includes documentation of broader range of Ford's activities.
The collection consists of more than 340 cartoons, cover drawings, and concept sketches in ink, pencil, watercolor, crayon, and charcoal on paper that were created for The New Yorker magazine by Helen E. Hokinson.
The collection includes 34 charcoal set design sketches by Albert M. Pyke of scenes from the film Mourning Becomes Electra, produced and directed by Dudley Nichols. The drawings, dating from circa 1947, are on mountings measuring 35 3/4" x 29 3/4" and smaller. Each drawing has a title label which reads: "Dudley Nichols Production of Eugene O'Neill's Mourning Becomes Electra [title of drawing] William E. Flannery, Art Director."