Found in 26 Collections and/or Records:
The papers consist of student notebooks, a letterbook, and a journal of Charles A. Bristed, Jr., and his wife. Bristed's student notebooks were produced while he studied at Stonyhurst College in England, 1887-1889.
The collection consists of photographic prints, contact prints, and negatives by Italian photojournalist Tano D'Amico documenting social movements, political events, and daily life in Italy and Palestine, as well as notebooks containing notes for D'Amico's lectures, essays, and books. Materials are dated from 1969 to 2021.
The collection comprises correspondence, photographs, sketchbooks, travel journals, notebooks, and printed material concerning Charles Jones (1780-1850) and his descendants. The correspondence spans the better part of the nineteenth century (1805-1878), with the bulk of the letters dating from the 1830s, 1840s, and 1850s; it offers a window into the life of a large middle-class dissenting family in mid nineteenth-century London.
The archives of A. Lee McAlester including mostly maps and photographs encompassing his career at Yale. These focus on his 1960 Yale dissertation, "Pelecypod faunas of the Late Devonian Chemung Stage, central New York."
The collection contains writings, correspondence, notebooks and journals, personal and professional papers, printed material, computer and audiovisual media, and other papers by or relating to the writer, poet, and performance artist Eileen Myles.
Lists people and houses to be seen in Paris, and pictures that he examined, chiefly those at the Hotel de Thiers that Catherine the Great was about to buy.
This notebook is the subject of: Frederick W. Hilles, "Sir Joshua and the Hotel de Thiers," Gazette des beaux-arts (Oct. 1969): 201-210.
Notes on paintings seen in Antwerp. In a pocket are business cards issued by picture dealers. Cased with Reynolds 38.
Brief notes on pictures at St. Omers, Lisle, Tournay, Brussels, Mecklin, and Calais.
This collection consists of three notebooks created by Paul Mellon for a “Pictorial Art” class at Yale University during his undergraduate studies (1925-1929). The notebooks include Mellon’s professor’s course material on pictorial art, pictures of artwork, and Mellon’s handwritten notes. The notes include Mellon’s critiques and analyses of the artworks, which span from ancient to contemporary.