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Scotland -- Pictorial works

 Subject
Subject Source: Library of Congress Subject Headings

Found in 8 Collections and/or Records:

Album, circa 1846-1853

 Item — Vol. 5
Call Number: MSS 16
Scope and Contents: Bound by Shrewsbury bookseller R. Davies, the scrapbook features drawings primarily by Baldwyn and Stanley. These provide a clear sense of how Mary guided her children in art instruction, encouraging them to copy from illustrations. Though the original sources for the drawings are unclear, the family must have had in its possession at least one illustrated copy of Pilgrim’s Progress, from which Baldwyn drew two scenes. Stanley seems to have been interested as...
Dates: circa 1846-1853

Drawings: Scotland, 1849

 Item — 1: Series 1, Folder: 4
Call Number: MSS 6, Series I
Scope and Contents: Contains graphite and watercolor seascapes and landscapes, with scenes of Scottish towns and lakes. The sketches vary in degree of completeness. There are views of Marske-by-the-Sea, where the Joseph Pease family had a holiday residence called Cliffe House. One sketch, labeled “Meeting House, Easington,” is not signed and, based on slight differences in style and in handwriting, seems possibly to have been made by a different artist. Other locations depicted include: St. Andrew’s Church in...
Dates: 1849

Mary Leighton Collection

 Collection
Call Number: MSS 16
Overview: The collection comprises ten original sketchbooks, albums, and scrapbooks compiled by Mary Leighton and her children, 1824-1860.
Dates: 1824-1860

James Marshall Osborn Research Files

 Collection
Call Number: OSB MSS 333
Overview: Lecture and class notes, research files and other papers, card indexes, and microfilms compiled by James Marshall Osborn during the course of his studies at Columbia University and Oxford University, as well as his time teaching and curating at Yale University, 1932-1973. Included are Osborn's paleography files, which consist of 296 examples relating to seventeenth-century English government and law. There are also three 16mm silent film reels, two of which are titled "Tour to the Hebrides."
Dates: 1620s-1973, bulk 1932-1973

Pease family collection of sketchbooks and exercise books

 Collection
Call Number: MSS 6
Overview: The collection comprises sketchbooks and exercise books belonging to the Pease family of Durham and Yorkshire Counties, England. The Peases were part of an important network of Quaker industrialists in the northeast of England, and established the nation's first railroad in 1825. Items in the collection date from the early nineteenth to the early twentieth century.
Dates: 1814-1909

Sketchbook (portfolio): Scotland, Switzerland, etc. , 1849-1889

 Item — 1: Series 1, Folder: 5
Call Number: MSS 6, Series I
Scope and Contents: Emma Gurney Pease made sketches over a number of years using this book. Because the design was such that individual pages could be removed, most of the sketches sit loose inside the covers. Most sketches are in graphite alone. Some are in graphite with the addition of sepia or indigo wash and gouache. There are a few pieces in full color watercolors. Many items appear fully finished, while some of the others have shading/coloration notes that indicate that Emma intended to come back and apply...
Dates: 1849-1889

Sketchbook: Scotland, 1853

 Item — 1: Series 1, Folder: 7
Call Number: MSS 6, Series I
Scope and Contents: Contains graphite drawings from a family trip to Scotland in 1853. The majority of pages in the sketchbook are blank. One sketch is labeled as having details added by "A. Lloyd," presumably a friend of Emma's. As is typical for Emma, the subject matter is that of scenes from nature or views of villages and architectural features from a distance. The sketches are mostly very complete and include a panoramic waterfront view done over two facing pages. Locations depicted include: Stirling, the...
Dates: 1853

Sketchbook: Scotland and Wales, 1870s

 Item — 2: Series 1, Folder: 12
Call Number: MSS 6, Series I
Scope and Contents: Contains graphite and watercolor sketches documenting travels in Scotland, primarily. The subjects of Lady Pease’s work include waterfront views, scenes of rolling hills and vegetation, studies of local residents, and architectural features. Most of the sketches are completed in watercolor. Some pieces depict scenes from Falmouth, Wales, where the Peases had a home called Kerris Vean. Labeled scenes include: Loch Bulig, Mar Lodge, Cluny Lodge Braemar, Behind Lions Face Cluny, Lemorran Creek,...
Dates: 1870s