Subject Source: Library of Congress Subject HeadingsScope Note: Here are entered works on female actors collectively. Works on male actors collectively are entered under Male actors. General works on both male and female actors collectively, works on both male and female stage actors collectively and works on individual male and female stage actors are entered under Actors. Works on actors, collectively or individually, specializing in particular media are entered under the appropriate specific heading, e.g. Television actors and actresses, with an additional heading Male actors or Actresses, assigned as appropriate to works of collective biography.
Found in 4 Collections and/or Records:
Call Number: DRA 10
Call Number: MS 1387
Overview: The collection consists of playbills and programs, photographs in a variety of formats, engravings, posters, clippings, and other printed material which document the performing arts in the United States and throughout the world from the seventeenth through the twentieth centuries. Material relating to dramatic performance forms the nucleus of the collection, but dance, opera, motion picture, circus, radio, and television performances are also represented.
Call Number: YCAL MSS 1211
Scope and Contents: The Maureen Stapleton Papers, which span from 1935 to 2006, contain extensive correspondence with actors, directors and authors including Elizabeth Taylor and Tennessee Williams. Also contains printed material, photographs of Stapleton and other actors, annotated scripts, and other papers by or relating to Maureen Stapleton's life and work.
Call Number: YCAL MSS 249
Overview: The Haila Stoddard Playscript Collection consists of twenty-two typed play scripts, relating to Stoddard's career as an actor and producer between 1944 and 1968. While none of Stoddard's own plays are included in her papers there are a number playscripts (a few of which are annotated) for projects she participated in as an actor (such as Who's Afraid of Virginia Woolf? and Lunatics and Lovers) and producer (such as ...